When Is Technique Central to Meaning? Part I
Friday, February 16, 9:30 AM–12:00 PM
Beekman Parlor, 2nd Floor, Hilton New York
Chairs: Janet Koplos, Art in America magazine; Bruce Metcalf, artist and independent scholar, Bala Cynwood, Pennsylvania
Muddy Miracles: Meaning and Technique in Agnes Martin’s Paintings
Christina Bryan Rosenberger, Center for the Technical Study of Modern Art, Harvard University Art Museums
Bu-re, Bo-ke Photography and Subverting the Eye/Lens Distinction: The Shooting Method of Provoke Photographers
Yuko Teshima, Graduate Center, City University of New York
Weaving, New Technology, and Content
Lia Cook, California College of the Arts
Making Difficulties
Kim Grant, University of Southern Maine