The Art and Business of Printmaking in Europe, 1400–1800
Friday, February 16, 9:30 AM–12:00 PM
Sutton Parlor Center, 2nd Floor, Hilton New York
Chair: Nadine M. Orenstein, Metropolitan Museum of Art
Hopfer’s Designs for a Tabernacle for the Holy Sacrament: Two Sides of a Confessional Debate
Freyda Spira
Preparatory Drawings for Prints by Stradanus: A Personal Creative Act or a Workshop’s Method of Work in Late Renaissance Printmaking?
Alessandra Baroni, University of Siena
Etchings vs. Engravings: A Publisher’s Choice for Book Illustrations
Karen L. Bowen
Italian Prints for the Dutch and Flemish Market: Antonio Tempesta’s Cooperation with Pieter de Jode
Eckhard Leuschner, Universität Passau
"Con Licenza de' Superiori": Censorship of Prints in circa 1600 Rome
Christopher Etheridge, Harvard University