Italian Art Society
Standing on the Shoulders of Giants or Shooting at Father’s Corpse? The History of Italian Art, Then and Now
“To lighten the dead weight of familiarity”
John Paoletti, Wesleyan University
Hagiolatry, Manuscripts, and Painting: Edward B. Garrison and the Study of Late Medieval Italian Art
Jessica Richardson, Courtauld Institute of Art
Trecento Studies during the 1930s: The Italian Commune through the Lens of Economic Turmoil
Patricia A. Emison, University of New Hampshire
The Gendering of Libertas and the International Gothic: Carlo Crivelli’s Ascoli Annunciation
Timothy D. McCall, Villanova University
Gender and Homosexuality: Finding Our Grandparents, Teaching Our Parents
James M. Saslow, Queens College, and Graduate Center, City University of New York