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SPECIAL EVENTS

Tuesday, February 19

1:00–5:00 pm
Snapshot! Pre-Conference Symposium
Amon Carter Museum
3501 Camp Bowie Blvd., Fort Worth
Limit: 140 participants, advance registration only
Price: Free

This is the inaugural presentation of the Amon Carter Museum Lectures on American Photography series. Kodak’s invention of the snapshot revolutionized everyday life, allowing people for the first time to visually record their lives easily and inexpensively. Almost immediately, the family camera became a ubiquitous tool not merely for constructing family histories but for exploring sight itself. Conference attendees are invited to come to this half-day symposium, presented in conjunction with the exhibition The Art of the American Snapshot, 1888–1978. Speakers analyze the democratization of visual culture brought by snapshot cameras, the early corporatization of visual tropes, the overt interplay of the snapshot with high art, and the redefinitions of the form brought by digital technologies. There will be time in the day’s schedule to view all of the Carter’s galleries, including selections from the museum’s renowned collection of American photography.

Speakers: Allan Sekula, Professor, California Institute of the Arts; Nancy Martha West, Associate Professor of English, University of Missouri–Columbia, author of Kodak and the Lens of Nostalgia; Sarah Greenough, Curator and Head, Department of Photographs, National Gallery of Art, and organizing curator and catalogue author of The Art of the American Snapshot, 1888–1978; John Rohrbach, Senior Curator of Photographs, Amon Carter Museum; Kevin Henry, Coordinator, Product Design at Columbia College, Chicago; Douglas R. Nickel, Andrea A. Rosenthal Professor of Modern Art, Department of the History of Art and Architecture, Brown University.

Registration: email snapshot@cartermuseum.org or call 817-989-5090. Deadline: January 3, 2008.

Transportation: a complimentary round-trip bus from the Adam’s Mark Hotel is provided that day to symposium registrants; details are provided with registration. Call for information on other transportation options.

This symposium is underwritten by the Amon Carter Museum’s Anne Burnett Tandy Distinguished Lectures on American Art endowment.

5:00–8:00 pm
*SOLD OUT* Open House: Three Fort Worth Museums
Price: Shuttle bus $5 round trip, advance tickets only

Spend the evening before the conference begins visiting the splendid museums of nearby Fort Worth.

Amon Carter Museum
3501 Camp Bowie Blvd.
On view: The Art of the American Snapshot, 1888–1978; Intimate Modernism: Fort Worth Circle Artists of the 1940s; Masterworks of American Photography; 100 Years of Autochrome

Kimbell Art Museum
3333 Camp Bowie Blvd.
On view: Picturing the Bible: The Earliest Christian Art
Modern Art Museum of Forth Worth
3200 Darnell Street
On view: Permanent collection

Modern Art Museum of Fort Worth
3200 Darnell Street
On view: Permanent collection

Transportation: Depart by bus from the Olive Street side of the Adam’s Mark Hotel at 4:00 pm; bus departs the Amon Carter Museum to return to the hotel at approximately 8:15 pm, arriving at approximately 9:15 pm. Limited to the first 200 people.
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Wednesday, February 20

5:30–7:00 pm
NEW EVENT LISTING
Exhibition Opening Reception
“Minis, Maxis, and Mods”
Fashion on Main, the University of North Texas (UNT) Texas Fashion Collection (TFC) exhibition space 1901 Main Street
Come see fashions of the 1960s and 1970s selected from the 14,000 garments in the TFC permanent collection. The TFC gallery is a short walk from the Adam’s Mark. Please ask the concierge for directions.

5:30–7:30 pm
Latino Cultural Center: Open House and Reception
Latino Cultural Center
2600 Live Oak at Good Latimer, Dallas
On view: Cardinal Points

The Latino Cultural Center is a multidisciplinary arts organization that presents events by renowned Hispanic and Latin American artists in the visual and performing arts, films in Spanish, workshops, and literary readings. The LCC also provides artists, local cultural organizations, and the Latino community with a venue to develop and celebrate Latino culture and art. Light food and drink will be served. Sponsored by the Latino Cultural Center and Richland College.

Directions: The Latino Cultural Center is a short walk from the Adam’s Mark Hotel. Ask the concierge for directions.

5:30–7:30 pm
Artists’ Talk and Reception: The Divas and Iron Chefs of Encaustic
McKinney Avenue Contemporary
3120 McKinney Avenue, Dallas
On view: The Divas and Iron Chefs of Encaustic: Contemporary Encaustic Painting

Directions: By public transportation: Board the McKinney Avenue trolley at the corner of Ross Avenue and St. Paul Street, four blocks from the Adam’s Mark Hotel. (Walk northwest on Olive Street toward Bryan Street; turn left on Ross Avenue; go two blocks to St. Paul Street.) The free trolley runs 10:00 am–10:00 pm, seven days a week, every 15 to 20 minutes. Ask the driver to drop you in front of the McKinney Avenue Contemporary.

On foot: Walk northwest on Olive Street toward Bryan Street. Turn right at San Jacinto Street. Go one block and turn left at North Pearl Street. Go about half a mile and turn right at McKinney Avenue. The McKinney Avenue Contemporary is less than a mile away.

6:00–8:00 pm
Art Talk Happy Hour: 500X Gallery
500 Exposition Avenue, Dallas
On view: Your Favorite Artist Was a Member: 30 Years at 500X

6:00–9:00 pm
Opening Reception for the CAA Annual Exhibition: Point of Convergence: MFA
The Gallery at UTA
University of Texas, Arlington
Fine Arts Building, 502 S. Cooper Street

Curated by Benito Huerta, director of the Gallery at UTA, this exhibition presents a group of professional artists who have received an MFA degree, and pairs them with current MFA candidates from the same universities.

Transportation: a complimentary bus is provided, limited to the first 49 people, first come, first served; bus departs from the Olive Street side of the Adam’s Mark Hotel at 4:45 pm; bus departs the university to return to the hotel at 7:15 pm, arriving at approximately 8:00 pm.

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Thursday, February 21

2:30–5:00 pm
Distinguished Scholar Session
Adam’s Mark Hotel, Dallas Ballroom C, 1st Floor

Robert L. Herbert This year’s honoree is Robert L. Herbert, the eminent scholar of French nineteenth-century art. He will be joined by chair Nancy Troy, University of Southern California, and a panel of four speakers. After a long career at Yale, Prof. Herbert is now the Andrew W. Mellon Professor Emeritus of Humanities at Mount Holyoke. He is a member of the American Academy of Arts and Sciences and the American Philosophical Society, and has been named an Officer of the Ordre des Arts et des Lettres by the French government. Among his books are Impressionism: Art, Leisure and Parisian Society, Nature’s Workshop: Renoir’s Writings on the Decorative Arts, and Seurat: Drawings and Paintings. His most recent book is Seurat and the Making of “La Grande Jatte.”



5:30–7:00 pm
New Media Panel and Exhibition at the Dallas Contemporary
2801 Swiss Avenue
The Algorithms of Art
Chair: Holly Willis, University of Southern California

Examining an emergent form: more artists are exploring the possibilities of code as an expressive form and creating artworks that are dynamic, generative, and performative.

6:00–7:30 pm
CAA Convocation
Adam’s Mark Hotel
Dallas Ballroom B, 1st Floor
Free and open to the public

Welcome by Linda Downs, CAA Executive Director; opening remarks and presentation of CAA Awards for Distinction by Nicola Courtright, CAA President; keynote address by Dr. Donny George, former Director of the State Board of Antiquities and Heritage in Iraq and director general of the National Museum in Baghdad, now a visiting professor in the Department of Anthropology at Stony Brook University in New York.

7:30–9:30 pm
CAA Gala Reception
The Nasher Sculpture Center

2001 Flora Street, Dallas
On view: Permanent collection
Limit: 500 people
Price: Advance: $35
At the conference: $40 (payment by credit card, check, or cash in the registration area during registration hours). No tickets will be sold at the Nasher Sculpture Center.

Join friends and colleagues to celebrate the opening of the conference. Ticket includes wine, beer, soft drinks, and light hors d’oeuvres. Advance tickets will be included in your registration packet.

The Dallas Museum of Art and the Crow Collection of Asian Art will join the Nasher Sculpture Center in welcoming conference attendees. A conference badge is required for admittance to their Open House:

Dallas Museum of Art
1717 North Harwood Street
On view: J.M.W. Turner

Crow Collection of Asian Art
2010 Flora Street
On view: The permanent collection

Directions from the Adam’s Mark Hotel: All three museums are at the intersection of Harwood and Flora Streets, a 10-minute walk from the hotel. Exit the hotel’s main entrance and turn right onto N. Olive Street. Walk 2 blocks to Ross. Turn left and walk 1 block along Ross to Harwood. Turn right on Harwood and go 1 block to Flora Street.



7:30–9:00 pm
New Media Panel and Exhibition at the Dallas Contemporary 2801 Swiss Avenue
Art blogging == global.exhibit(local) Chair: Paul Catanese, San Francisco State University

An explosion of new blogs from artists, collectors, galleries, residency programs, and museums are reshaping notions of professional practice within the arts.

Directions: By car: Go northeast on Bryan Street for seven blocks to Texas Street. Turn right and go four blocks to Swiss Avenue. The Dallas Contemporary is on the corner.


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Friday, February 22

Hot Wax: Encaustic Painting Workshop
Session 1: 9:00–11:00 am
Owen Arts Center, 6101 Bishop Blvd., Dallas
Division of Art, Meadows School of the Arts, Southern Methodist University
Limit: 40 participants
Price: $40, advance registration only, includes round-trip bus

Observe the Divas and Iron Chefs of Encaustic in action and explore this seductive and malleable medium. This dynamic 2 hour workshop provides an interactive opportunity to learn about painting with hot wax from experienced encaustic artists. Participants will have access to several stations offering information on image transfers; direct encaustic painting; encaustic painting with embedded screenprinted imagery; sgraffito/intaglio techniques with encaustic and oil paint combinations; and multilayered imagery and the use of stencils. With materials and equipment provided by R & F Handmade Paints, Inc., participants may create their own encaustic paintings. An informational packet will be provided. Advance tickets will be included in your registration packet. No onsite tickets will be sold.

Presenters: Reni Gower, Virginia Commonwealth University; Richard Frumess, founder, R & F Handmade Paints; Kristy Deetz: University of Wisconsin–Green Bay; Peter Dykhuis: Director, Anna Leonowens Gallery, Nova Scotia College of Art and Design University; Lorraine Glessner, Tyler School of Art; Jeffrey Hirst, independent artist, Minneapolis.

Transportation: a complimentary round–trip shuttle bus is provided for registrants from the Adam’s Mark Hotel. The bus departs from the Olive Street side of the hotel at 8:00 am and leaves the university to return to the hotel at 11:30 am, arriving at approximately 12:30 pm. Public transportation is also available: Take any DART (light rail) train from the Pearl Street stop northbound to the Mockingbird stop. The campus is a 2-block walk from there.

ARTSPACE

Annual Artist Interviews
Yoko Ono will be interviewed by Jonathan Fineberg, 2:30–3:30 pm
Adel Abidin will be interviewed by Nada Shabout, 4:00–5:00 pm

The Artist Interviews will be held in
Dallas Ballroom B, 1st Floor, Adam’s Mark Hotel


5:00–7:00 pm
Open House: Meadows Museum, Southern Methodist University
5900 Bishop Blvd., Dallas
Price: Free

This open house follows an offsite session sponsored by the American Society for Hispanic Art Historical Studies, “Was There a ‘Spanish School’? Spanish Artistic Interchange with Europe and the Americas,” chaired by Pamela A. Patton, Southern Methodist University; and Mark A. Roglån, Meadows Museum. The Meadows Museum houses a premier collection of Spanish art.

On view: Coming of Age: American Art, 1850s–1950s; Jerry Bywaters: Interpreter of the Southwest; Jerry Bywaters: Lone Star Printmaker

Transportation: a complimentary round–trip shuttle bus is provided from the Adam’s Mark Hotel, limited to the first 50 people, first come, first served. The bus departs from the Olive Street side of the hotel at 4:30 pm; it departs the museum to return to the hotel at 7:15 pm, arriving at approximately 8:15 pm. Public transportation is also available: Take any DART (light rail) train from the Pearl Street stop northbound to the Mockingbird stop. The campus is a 2-block walk from there.

5:30–7:00 pm
Performance/Exhibition: Social Fabrics: Wearable + Media + Interconnectivity
Adam’s Mark Hotel, Remington, 4th Floor

Social Fabrics: Wearable + Media + Interconnectivity is a time-based art exhibition, designed as a modified runway show, of art as wearable media and technology. Social Fabrics demonstrates convergences between individual expression and statement making on the one hand, and the phenomenology of network society on the other. Technological garments or accessories with social capabilities are presented alongside works that critique the implications of our digital media-infused and fashion-driven lifestyles. Artworks are objects, systems, mini-performances and interactive events. Curated by Susan Ryan and Pat Lichty, sponsored by Leonardo Educational Forum. For more information, visit www.socialfabrics.org.

5:30–7:00 pm
CAA Committee for Women in the Arts (CWA) Annual Recognition Awards Ceremony
Dallas Ballroom B, 1st Floor, Adam’s Mark Hotel
Price: Advance tickets $25; Onsite: $30 in the registration area during registration hours

CWA honors Amalia Mesa-Bains, Director, Institute of Visual and Public Art, California State University, Monterey Bay; and the artist Celia Álvarez Muñoz, Arlington, Texas. Advance tickets will be included in your registration packet.


6:00–9:00 pm
ARTexchange
2nd Floor Pre-convene
Cash Bar
Arts Exchange is an open portfolio session where CAA artist members are offered tables to show drawings, prints, photographs, small paintings and works on laptop computers. The session is open to the public and free of charge. Sale of work is not permitted.

5:30–7:00 pm
Gallery Walk and Reception: Design District

Participating galleries:

Photographs Do Not Bend Gallery
1202 Dragon Street, #103

Holly Johnson Gallery
1411 Dragon Street

Craighead-Green Gallery
1011 Dragon Street

Gerald Peters
1019 Dragon Street

Marty Walker Gallery
2135 Farrington Street

Conduit Gallery
1626 C Hi-Line Drive

5:30–9:00 pm
Gallery Walk and Reception: Contemporary Art Dealers of Dallas (CADD)

Participating galleries:

And/Or
221 Bryan Street, Suite B

Barry Whistler
2909B Canton Street

Conduit
1626 C Hi-Line Drive

Craighead-Green
1011 Dragon Street

Dunn and Brown Contemporary
5020 Tracy Street

Gerald Peters
1019 Dragon Street

Holly Johnson
1411 Dragon Street

Marty Walker
2135 Farrington Street

Pan American Art Projects
1615 Dragon Street

The Public Trust
2919-C Commerce Street

Road Agent
2909-A Canton Street

Valley House Gallery and Sculpture Garden
6616 Spring Valley Road

6:00–10:00 pm
Exhibition Opening Reception: 500X Gallery
500 Exposition Avenue, Dallas
On view: Your Favorite Artist Was a Member: 30 Years at 500X

Directions by car: Travel northwest on Olive Street toward Bryan Street. Turn right on San Jacinto. Turn right on N. Pearl Street. Continue to follow N. Pearl Street to the right, where it will become N. Pearl Expressway. Take a left on Main Street. Turn right onto Exposition Avenue.
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Saturday, February 23

10:00–11:30 AM
New Media Panel and Exhibition at the Dallas Contemporary
2801 Swiss Avenue
The Synthetic Aesthetics of New Media Art
Chair: Carolyn Kane

Can color, as a physiological and pre-cognitive field, as well as a major principle of aesthetic theory, effectively reconcile computer based artwork with the subjective and humanistic drives in art making?

Directions: By car: Go northeast on Bryan Street for seven blocks to Texas Street. Turn right and go four blocks to Swiss Avenue. The Dallas Contemporary is on the corner.

12:30–2:00 pm
Open House: H. Paxton Moore Fine Art Gallery, El Centro College
801 Main Street, Room B272, Dallas
On view: Mighty Fine Plush Agent: Dallas Galleries Invade El Centro

Saturday, 5:30–7:30 PM
CAA Regional MFA Exhibition Reception
Cora Stafford Gallery
University of North Texas
1120 W. Oak Street Denton, TX 76201
Shuttle bus service from conference head quarters in Dallas will be available. Shuttle schedule TBD.

Sunday, February 24

The Rachofsky House and Collection: Tours
Tour 1: 10:00–11:30 am
Tour 2: 1:00–2:30 pm
Limit: 40 attendees (each tour)
Price: Advance registration: $15, includes round-trip bus. Tickets will be included in your registration packet.

A few miles from central Dallas, the Rachofsky House was designed by the distinguished American architect Richard Meier as a home and setting for a major collection of twentieth-century art. The Rachofsky Collection focuses on two general themes: artwork from the 1960s that explores the nature of sculpture and painting, with special emphasis on Italian art associated with the Arte Povera movement; and contemporary work that explores notions of identity and the self. Of particular importance are works by the Italian artists Piero Manzoni, Alighiero e Boetti, Lucio Fontana, Mario Merz, Marisa Merz, and Michelangelo Pistoletto. Other artists with significant representation in the collection are Janine Antoni, Marc Quinn, Tom Friedman, Félix González-Torres, Kiki Smith, David Hammons, Mona Hatoum, and Robert Gober.

Transportation: a round-trip shuttle bus for up to 30 registrants for each hour is provided from the Adam’s Mark Hotel; limited, first come, first served. For the 10:00 am tour the bus departs from the Olive Street side of the hotel at 9:30 am and leaves the Rachofsky House to return to the hotel at noon. For the 1:00 pm tour the bus departs at 12:30 pm and leaves the house to return to the hotel at 3:00 pm.
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On Going

Exposing the Censor Within

Wednesday, February 20–Friday, February 22, 8:00 am–7:00 pm
Adam’s Mark Hotel, 2nd Floor
Open and free to the public

An interactive public installation of the National Coalition Against Censorship invites you to enter a “confessional” booth and write your self-censorship story on an index card.

  • Were there times you were afraid to speak up?
  • Do you sometimes wish you spoke your mind more?
  • Do you wish you censored yourself more?
  • Have you changed what you’ve written for fear it would get you into trouble?
  • In your art, do you ever stop yourself from doing what you want because you are afraid that people might misunderstand?
  • Have you ever stopped yourself from saying something because you thought it might be rude or insulting?

Exposing the Censor Within explores how we censor ourselves in encounters with family, teachers, friends, and colleagues as well as in our creative lives as writers, journalists, curators, painters, filmmakers, and scholars.