Professional Development Workshops


Wednesday, February 25

Advice for New Instructors

9:30–11:00 AM
Presenter: Mika Cho, California State University, Los Angeles
Limit: 75 participants
Price: $45
West Hall Meeting Room 510, Level 2
As with any new position, beginning and/or inexperienced instructors in higher education will find challenges to be both exhilarating and perhaps initially overwhelming. Negotiating matters such as pedagogical performance, the collegial support system, student evaluations, professional development, and the retention and tenure process can all prove daunting. Issues to be presented and discussed include: constructing an effective syllabus; interaction with students, colleagues, and administrators; the importance of university policy on ownership of instructional and professional materials; plagiarism, student disabilities, grievances, and sexual harassment; and grading and student evaluation.
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Job Hunt 101: Essential Steps in Securing a Job

2:30–4:30 PM
Presenter: David M. Sokol, professor emeritus, University of Illinois, Chicago
Limit: 100 participants
Price: $45
West Hall Meeting Room 510, Level 2
Learn the essentials of a successful job hunt. This workshop is scheduled at the beginning of the conference because it offers good preparation for Career Services, guiding you through professional practices of the job search, including interview etiquette, preparation of materials, and other essential information to prepare you for your next job opportunity. This is the time to ask the questions you have always wondered about concerning the ins and outs of looking for a job.
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Thursday, February 26

Successful Grant Writing for Artists

9:30 AM–NOON
Presenter: Barbara Bernstein, resident artist, Virginia Center for the Creative Arts
Limit: 50 participants
Price: $40
West Hall Meeting Room 510, Level 2
This workshop demystifies the process of grant writing for both individual artists and collaborative projects. In a step-by-step approach, it covers the complete cycle of grant writing, including preparative research, interaction with funders, budget development, writing proposals, and assessment of the process.
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Digitize Your Art: Creating an Effective Online Portfolio

2:30–4:30 PM
Presenter: Brad Stephenson, Carnegie Mellon University’s Center for Arts Management and Technology
Limit: 40 participants
Price: $45
West Hall Meeting Room 510, Level 2
It is becoming increasingly more critical for artists to use the internet to market their work. There are a number of free or affordable resources available for online multimedia portfolio creation and audience cultivation. During this session, Brad Stephenson from Carnegie Mellon’s Center for Arts Management and Technology (http://CAMT.Artsnet.org) will present an overview of web concepts; a collection of best-practice examples; and a handful of affordable and easy-to-use tools for developing an effective online presence. Participants will leave the session with a toolkit for putting their work online, as well as resources for utilizing and promoting their portfolios.
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Friday, February 27

Pedagogy for Graduate Students in Studio Art

9:30–11:00 AM
Presenter: Harold Linton, George Mason University
Limit: 75 participants
Price: $45
West Hall Meeting Room 512, Level 2
The quality of studio-art education is the result of various elements of educational theory, practical experience, and good communication skills. Certainly the elements of planning and organization, and the desire to involve others in a thoughtful and well-planned sequence of artistic experiences that allow for growth in perception, self-awareness, and the ability to succeed as an artist/designer, are crucial to successful teaching and learning. The purpose of this workshop is to introduce graduate students to the practice of research in teaching studio art in higher education. Through discussion, research projects, and course planning with educational theory and firsthand experience in a studio art class, this workshop will provide an introduction to the pedagogy of studio-art in higher education.
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The Syllabus: Mapping Out Your Semester

9:30–11:30 AM
Presenter: Steven Bleicher, Coastal Carolina University
Limit: 15
Price: $45
West Hall Meeting Room 510, Level 2
The syllabus is a contract with the student. It should clearly state what is expected of the student and the professor’s requirements for the course. In addition, various accrediting bodies and associations have their own requirements that may need to be addressed. Learn what should go into a syllabus and how to break down course content into individual class sessions. The components of an effective lesson plan, and how to use it as an effective teaching document, will also be discussed. Issues such as how much can actually be accomplished in a single class period, and what homework and/or preparations are needed for the next class session, will be addressed. A well-constructed syllabus can be a valuable teaching tool and an aid to the faculty member regarding student grade disputes. This course is invaluable for graduate TAs, recent MFA graduates who have just landed their first teaching position, and anyone who would like a refresher on the finer points of setting up the term’s classes.
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ABD Strategies: A Plan for Dissertation Writers

2:30–3:30 PM
Presenter: Milton Kornfeld, Brandeis University, emeritus
Limit: 75 participants
Price: $45
West Hall Meeting Room 510, Level 2
All But Dissertation (ABD) status is a transitional phase in a graduate student’s academic and professional development, not a long-term identity. This workshop will help students to anticipate problems endemic to ABD status that can impede a dissertation’s timely completion. We will discuss organization, planning, writing problems, and a range of political, personal, and practical matters that every graduate student should be aware of and prepared to address. We will explore strategies to resolve these problems. Students anticipating, beginning, or in the midst of their dissertation work will benefit from this workshop.
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