Special Events
Wednesday, February 25
5:30–7:00 PM
CAA Convocation
Open to the public
Los Angeles Convention Center
West Hall Meeting Room 502AB
- Welcome
Linda Downs, CAA Executive Director - Presidential Address
Paul Jaskot, CAA President
- Presentation of the CAA Awards for Distinction
- Keynote Address
Leonardo López Luján, chief archaeologist, Museo Templo Mayor, Mexico City
7:00–10:00 PM
CAA Gala Reception
The Getty Center
1200 Getty Center Drive
Los Angeles, CA
Limited availability. Advance registration required.
Tickets required for admission.
Transportation: Depart by bus from the Los Angeles Convention
Center, West Hall entrance, at 7:00 PM; bus departs
the Getty Center at
10:00 PM to return to the conference hotels, to arrive at approximately 11:00 PM.
Price
Onsite (Convention Center): $25
Tickets cannot be sold or purchased on-site at the Getty Center or the Getty Villa.
8:30–10:00 PM
Viewing
Lobby Court Lounge
Westin Bonaventure Hotel and Suites
404 South Figueroa Street
Los Angeles, CA
Video Cocktail, selections from the ARTspace Media Lounge and conference, will be projected in the Lobby Court and atrium nightly during the conference. Five Night Stand, an exhibition of contemporary works specifically curated for CAA by Sherin Guirguis, will also be on view in the Court Lobby. This event is made possible with the generous support from the Westin Bonaventure Hotel and Suites.
Open daily throughout the conference
L.A.Unfolded: Maps from the Los Angeles Public Library
Getty Gallery, Richard J. Riordan Central Library
630 W. 5th Street
October 15, 2008–March 29, 2009
L.A. Unfolded: Maps from the Los Angeles Public Library draws from the Library's vast collection of maps, one of the largest in American public libraries. With a focus on Los Angeles and California, the exhibition presents a broad range of maps—from early Los Angeles surveys to tourist maps of the 1940s—and explores the allure of maps and their place in our lives. L.A. Unfolded is accompanied by a series of free public programs for adults and families. For a complete listing and schedule, visit lfla.org/events/unfolded.
L.A. Unfolded: Maps from the Los Angeles Public Library is produced by the Library Foundation of Los Angeles for the Los Angeles Public Library. Exhibits at the Central Library are made possible in part through a grant from The James Irvine Foundation.
Open daily throughout the conference
Preservation/Conservation
Preservation/Conservation, curated by Nancy Macko, is on view in Terminal 3, Baggage Claim area at LAX from Feb 22–May 17, 2009. The exhibiting artists include CAA members: Jane Brucker, Barbara Drucker, Linda King, Monica Furmanski and Nancy Macko. The exhibition is open to the public 24/7. There is parking directly across from the Terminal.
About the exhibition: Today we are reminded regularly of our diminishing natural resources as well as our ongoing, often greedy, desires for more material goods. How is it we continue to consume and produce more and more but have so much less to show for it? Yet how do we conserve our physical and spiritual resources and preserve the ephemeral nature of life and living? The five artists included in this exhibition show us different ways of understanding this and fulfilling this need by creating various strategies of preservation and conservation in their work.
Thursday, February 26
12:30–2:00 PM
Sterling and Francine Clark Art Institute Celebrating Philip Conisbee
CANCELLED
Los Angeles County Art MuseumBrown Auditorium
5905 Wilshire Boulevard
Los Angeles, CA
12:30–2:00 PM
A Collection of Ideas with Deputy Director and Curator Lisa Melandri
Santa Monica Museum of Art, 2525 Michigan Ave G-1, Santa Monica
Join Lisa Melandri in a discussion about Southern California's only kunsthalle. The Santa Monica Museum of Art can nimbly, and, according to The New York Times, “valiantly,” respond to the ever-shifting currents of contemporary art. SMMoA is a collection of ideas; we collaborate with curators and scholars from around the world to present artists whose work merits sustained inquiry and recognition.
Tel: 310.586.6488; Fax: 310.586.6487; info@smmoa.org; http://www.smmoa.org
Directions: From the 10 West, exit Cloverfield Blvd., turn right. Make a right at the first light, Michigan Avenue. Michigan Avenue dead-ends into our parking lot. Free Parking; free Admission.
2:00–2:30 PM
Guided tour by Irit Batsry of Beach at Nightfall/Caution
Shoshana Wayne Gallery, B1, 2525 Michigan Ave., Santa Monica
Irit Batsry will discuss her new video installation and photography in an exhibition that examines the border between the documentary and the painterly, the abstract and the concrete and further develops the artist’s questioning of the perception of reality and its representation through technology. Irit Batsry, recipient of the Whitney Biennial Bucksbaum Award in 2002, is an artist working mainly in video, installations and photography.
Directions: From the 10 West, exit Cloverfield Blvd., turn right. Make a right at the first light, Michigan Avenue. Michigan Avenue dead-ends into gallery’s parking lot. Free parking; free admission.
2:30–5:00 PM
Distinguished Scholar Session Honoring Svetlana Alpers
“Paintings/Problems/Possibilities”
Los Angeles Convention Center
Room 502AB, Level 2
Chair: Mariët Westermann
The 2009 Distinguished Scholar Session, entitled “Paintings/Problems/Possibilities,” centers on the art of painting. The panel—which includes Svetlana Alpers, Mariët Westermann, Carol Armstrong, Thomas Crow, James Hyde, and Stephen Melville—will focus on six pictorial images proposed by Alpers.
Please read Westermann’s article on Svetlana Alpers and her accomplishments, which is also published in the November 2008 CAA News.
5:30–8:30 PM
Open House and Reception: Los Angeles Center for Digital Art (LACDA), Pharmaka, and Bert Green Fine Art
LACDA:
107 West 5th Street; Pharmaka: 101 West 5th Street; Bert Green Fine Art: 102 West 5th Street
On view at LACDA: new digital, conceptual, and photographic works, including internationally recognized artists Martin Gantman, Michael Salerno, Jean Ferro, and Rex Bruce. On view at Pharmaka: New Mythologies. At Bert Green Fine Art: Jessica Curtaz, Sandra Yagi, and Doug Cox; plus, Richard Ankrom in the exterior Project Windows.
Directions: At intersection of 5th Street and Main Street, downtown Los Angeles.
6:30–8:00 PM
Discussion: Irving Sandler and Raphael Rubinstein
Ahmanson Auditorium, Museum of Contemporary Art, Los Angeles
250 South Grand Avenue
Los Angeles, CA
Join “on-the spot” art historian Irving Sandler and Raphael Rubinstein (former senior editor of Art in America and current professor of critical studies at the University of Houston) for a vivid discussion of the most critical decade in the postwar ascendancy of American painting: 1942–52. This event coincides with the release of Irving Sandler’s newest book, Abstract Expressionism: Rethinking the Critical Decade, to be published by Hard Press Editions and the School of Visual Arts.
6:30–8:00 PM
Reception: Art Center College of Design
950 S. Raymond Avenue
Pasadena, CA
CANCELLED
The Art Center College of Design invites conference attendees to join Art Center faculty and CAA colleagues at a reception and presentation at its South Campus Wind Tunnel building. A former aircraft-testing facility redeveloped by Daly Genik, Inc., it was one of the first buildings to receive a Leadership in Energy and Environmental Design certification from the city. There will be fifteen-minute presentations on developments in twenty-first-century technologies, on new approaches to art and design pedagogy and practice, and on sustainability in design practice.
6:00–9:00 PM
An Evening at UCLA
Reception: CAA Annual Exhibition
Fowler Museum
Continental Rifts: Contemporary Time-Based Works of Africa
Georgia Papageorge, still from Africa Rifting: Lines of Fire: Namibia/Brazil, 2001, video, full-wall projection with sound, 15 min. (artwork © Georgia Papageorge; photograph provided by the Fowler Museum, UCLA)
Curated by Mary Nooter Roberts, Continental Rifts: Contemporary Time-Based Works of Africa presents the work of five outstanding artists with close associations to Africa: Yto Barrada, Claudia Cristovao, Alfredo Jaar, Georgia Papageorge, and Bernie Searle. Each offers a compelling example of the ways that time-based media lend themselves to the representation of complex transnational, postcolonial identity politics resulting from diasporic displacement, geographic rifts, and deep emotional attachments and divides.
Exhibition viewing and wine-and-cheese reception. Also on view are Transformations: Recent Contemporary African Acquisitions; Silver Seduction: The Art of Mexican Modernist Antonio Pineda; Intersections: World Arts, Local Lives, and Reflecting Culture, The Francis E. Fowler, Jr. Collection of Silver.
Open House
Hammer Museum
On view will be Portraits from the Collections, a selection
of works on paper and paintings drawn from the collections
of the Grunwald Center for the Graphic Arts and the
Hammer Contemporary Collection, curated by Cynthia
Burlingham and Gary Garrels. Artists represented in the
exhibition include David Dupuis, David Hockney, Ray
Johnson, Gustav Klimt, Sharon Lockhart, Edvard Munch,
Catherine Opie, Pablo Picasso, Jack Pierson, Kiki Smith, John
Sonsini, and James McNeill Whistler. Also on view will
be two Hammer Projects by artists Erin Cosgrove and
Shirana Shahbazi, and the Armand Hammer Collection
of old-master and nineteenth-century European and
American paintings.
Open House
The Broad Art Center
Designed by Richard Meier and Partners Architects, the
UCLA Art Department’s headquarters will welcome visitors.
The various visual-arts departments will be open, and
the undergraduate juried art exhibition will be on view in
the New Wight Gallery.
Price
Onsite: $25
Transportation: Depart by bus from the Los Angeles Convention
Center, West Hall entrance, at 6:00 PM; bus departs
the Broad Art Center at 9:00 PM for return to the conference
hotels, to arrive at approximately 10:00 PM. Limited
availaility.
7:00–9:00 PM
Film Screening and Discussion: The Cool School
REDCAT: The Roy and Edna Disney/CalArts Theater
631 West 2nd Street
Los Angeles, CA
Join us for a special evening at REDCAT in downtown Los Angeles for a screening of the film The Cool School, a documentary about how a few renegade artists built the Los Angeles art scene from scratch. Principal cast includes: Ed Ruscha, Dennis Hopper, Frank Gehry, Billy Al Bengston, Irving Blum, and Robert Irwin. The film’s director, Morgan Neville, will be on hand for a Q&A session after the film.
The Roy and Edna Disney/CalArts Theater (REDCAT) is the California Institute of the Arts’ downtown center for innovative visual, performing, and media arts. CalArts operates galleries and a state-of-the-art two-hundred-seat theater located in the Walt Disney Concert Hall complex in downtown Los Angeles. Limited availability.
View the trailer.
Price
Onsite: $15
8:30–10:00 PM
Reception and Viewing
Lobby Court Lounge, Westin Bonaventure Hotel and Suites
404 South Figueroa Street
Los Angeles, CA
Video Cocktail, selections from the ARTspace Media Lounge and conference, will be projected in the Lobby Court and atrium nightly during the conference. Five Night Stand, an exhibition of contemporary works specifically curated for CAA by Sherin Guirguis, will also be on view in the Court Lobby. This event is made possible with the generous support from the Westin Bonaventure Hotel and Suites.
Friday, February 27
1:30–3:30 PM
The Importance of the Artist's Voice: Conservation and the Work of Liz Larner and Michael C. McMillen
Moca Grand Avenue
Ahmanson Auditorium
250 South Grand Avenue
Los Angeles, CA 90012
Moderator:
Jay Krueger, Senior Conservator of Modern Paintings at the National Gallery of Art
Participants:
John Griswold, Principal Conservator, Griswold Conservation Associates, LLC, Culver City; Liz Larner, independent artist, Los Angeles; Michael C. McMillen, independent artist, Santa Monica; Alma Ruiz, MOCA curator
Organized by the International Network for the Conservation of Contemporary Art - North America (INCCA-NA).
Info: gryan@mfa.org. FREE with museum admission
2:00–4:00 PM
Roundtable: Hacienda Room, Faculty Center, UCLA
480 Charles Young Drive
Los Angeles, CA
Discussion on Contemporary Architectural Trajectories in East Asia, led by Ken Tadashi Oshima and Vimalin Rujivacharakul. Speakers: Qingyun Ma, University of Southern California; Hitoshi Abe, University of California, Los Angeles; Wim DeWit, Getty Research Institute; and Brooke Hodge, Museum of Contemporary Art, Los Angeles.
Directions: Take South Figueroa Street to Wilshire Boulevard. Turn right on Wilshire Boulevard and continue to Westholme Avenue. Turn right on Westholme Boulevard and go north to enter UCLA campus. The Faculty Center is the first building on your right.
From the 405 freeway, take the Sunset Boulevard exit and go east. Turn right on Hilgard Avenue, then turn right on Westholme (the second traffic light) and enter the UCLA campus.
Map: http://facultycenter.ucla.edu/directions.htm.
1:00–2:00 PM and 5:30–6:30 PM
Open House and Tour : John Nava: Tapestries, from Proposal to Installation
Cathedral of Our Lady of the Angels
555 West Temple Street
Los Angeles, CA
This exhibition will present the process of creation from proposal to installation of the tapestries for the Cathedral of Our Lady of the Angeles, designed by the artist John Nava. Showcased will be the conceptual drawings, oil studies, digital images, and weaving tests, which were produced in twenty-two months by the creative fusing of aesthetics, craft, and modern computer and weaving technology by the artist. Curated by Ronald E. Steen, Judson Gallery at Judson Studios. A full color illustrated catalogue accompanies the exhibition.
Advance registration required; please call 213-680-5215. Deadline: Thursday, February 26, 6:00 PM.
Directions: Downtown Los Angeles near the Music Center. The entrance to the parking structure is located off both Temple and Hill Street. Parking Monday–Friday is $3.50 each 15 minutes, $16.50 maximum; after 4:00 PM, $8.00 flat rate. The Cathedral of Our Lady of the Angels is a twenty-minute walk from the conference hotels.
2:30–5:30 PM
Annual Artists’ Interviews
Los Angeles Convention Center,
West Hall Meeting Room 515A, Level 2
Lawrence Weschler of the New York Institute for the Humanities and the Chicago Humanities Festival interviews the light and space artist Robert Irwin. Barbara Isenberg, writer and lecturer, will interview painter Ruth Weisberg, University of Southern California.
12:30–2:00 PM and 5:30–7:00 PM
Open House and Tour: The Wende Museum
5741 Buckingham Parkway, Suite E
Culver City, CA
Get behind the scenes tour of the museum’s extensive collection of Eastern European Cold-War art, artifacts, and archives.
Facing the Wall: Living with the Berlin Wall
Tour of Museum’s collection of Eastern European cold-war artifacts.
Directions: from downtown, take I-10 E, then 405 south to 90 Slauson exit, make right, then left on Buckingham.
5:00–6:00 pm
Annual CAA Members’ Business Meeting
Election of New Members of the CAA Board of Directors
West Hall Meeting Room 502A, Level 2
The Annual Business Meeting is open to all CAA members. At this meeting the Board of Directors and CAA staff review the year’s major accomplishments and the Association’s financial status, and announce new members of the board. At the conclusion of the meeting, board representatives and CAA staff will be available to respond to your questions. Please come and share your interests and concerns at a Speakout on the new strategic plan.
6:00–9:00 PM
Open House and Reception: Institute of Cultural Inquiry
1512 S. Robertson Boulevard
Los Angeles, CA
On view: works by associates of the institute.
Directions: from Convention Center, catch Metro Rapid 728 at northwest corner of Olympic/Figueroa to Olympic/Robertson; walk approximately five blocks south.
7:00–9:00 PM
Reception at the Los Angeles County Museum of Art
5905 Wilshire Boulevard
Los Angeles, CA
SOLD OUT
Visit the newly opened Broad Contemporary Art Museum (BCAM) at LACMA, which holds some of the most iconic artworks from the last four decades—most from the famed Broad Collections, reflecting Eli and Edythe Broad’s practice of collecting artists in depth. Also on view at BCAM is the exhibition Art of Two Germanys/Cold War Cultures, which traces the political, cultural, and theoretical discourses during the cold war in the East and West German art worlds by showing the varied roles that conventional art, new media, new art forms, popular culture, and contemporary art exhibitions played in the establishment of their art in the postwar era.
At the Ahmanson Building, participants can
view the highly acclaimed reinstallation of LACMA’s collection
of modern art, which includes paintings and sculpture
from Europe (including Russia), with additional pieces from the
United States and Mexico. In addition, the collection includes
important paintings and sculptures by Picasso, Matisse,
Schwitters, and Magritte. Also newly installed are the Latin
American Art: Ancient to Contemporary galleries in the Art of
the Americas Building, which feature numerous recent acquisitions
of ancient American, Spanish colonial, modern, and
contemporary art.
Wine, beer, soft drinks, water, and light hors d’oeuvres will be served. Those with tickets will receive free access to the entire museum.
Transportation: Depart by bus from the Los Angeles Convention Center, West Hall entrance, at 6:30 PM; bus departs from the Los Angeles County Museum of Art at 9:00 PM for return to the conference hotels, to arrive at approximately 10:00 PM.
8:30–10:00 PM
Viewing
Lobby Court Lounge
Westin Bonaventure Hotel and Suites
404 South Figueroa Street
Video Cocktail, selections from the ARTspace Media Lounge and conference, will be projected in the Lobby Court and atrium nightly during the conference. Five Night Stand, an exhibition of contemporary works specifically curated for CAA by Sherin Guirguis, will also be on view in the Court Lobby. This event is made possible with the generous support from the Westin Bonaventure Hotel and Suites.
AN EVENING AT USC
6:00 PM–8:00 PM
Opening Reception: CAA Annual MFA Exhibition
Gayle and Ed Roski Master of Fine Arts Gallery and Helen Lindhurst Fine Arts Gallery, Watt Hall
University of Southern California
Los Angeles, CA
Transportation: Depart by bus from the Los Angeles Convention Center West Hall entrance at 5:00 PM; bus departs the Helen Lindhurst Fine Arts Gallery, Watt Hall, for return to the conference hotels at 8:00 PM, to arrive at approximately 9:00 PM.
8:00–10:00 PM
Reception and Exhibition Opening: Warhol Party
Fisher Museum of Art
University of Southern California
823 Exposition Blvd, Harris Hall 126
Los Angeles, CA
Join us for a celebration and special viewing of Looking into Andy Warhol’s Photographic Practice at USC Fisher Museum of Art. Reception hosted by USC Department of Art History, the Contemporary Project, the International Museum Institute, the Roski School of Fine Arts, and the Visual Studies Graduate Certificate. USC alumni are cordially invited to attend.
Take the free “Warhol Bus” to the party:
Pick-ups:
Bus #1
7:20 PM: Wilshire Grand, 7th St. Entrance
7:30 PM: Westin Bonaventure, Figueroa St. Entrance
7:40 PM: Millennium Biltmore, curbside on Grand Ave., end of driveway
Bus #2
7:40 PM: Wilshire Grand, 7th St. Entrance
7:50 PM: Westin Bonaventure, Figueroa St. Entrance
8:00 PM: Millennium Biltmore, curbside on Grand Ave., end of driveway
Bus #3
8:45 PM: Millennium Biltmore only and transfer any passengers to the USC Fisher Museum of Art
Buses will circle back to the hotels throughout the evening, with the last departure leaving USC Fisher Museum at 10:30 PM. Parking is available on campus ($8). For more information, contact the Contemporary Project at tcp@college.usc.edu.
Saturday, February 28
9:00 AM–5:00 PM
Feminist Art Project Special Sessions
Los Angeles Convention Center, Room 502A, Level 2
The Feminist Art Project (TFAP) will host a series of
events for the Annual Conference. CAA is a
founding program partner of TFAP. Started by Arlene
Raven, Judy Chicago, and Susan Fisher Sterling, the Feminist
Art Project is administered by Rutgers University’s
Institute for Women and Art, under the auspices of the
associate vice president for academic and public partnerships
in the arts and humanities, and directed by Judith
K. Brodsky and Ferris Olin.
9:30–10:00 AM
Black Women, But, Are They Feminists?
Suzanne Jackson, Savannah College of Art and Design
This panel will examine questions about the past and present concerns women of color have had in the art world surrounding feminism and feminist issues. The evolution of black consciousness for women and the complications of all women not seeking freedom from traditional roles remain important aspects of the dialogue surrounding race and gender for women of color.
10:45 AM–12:15 PM
Salon des Refuses or Who Was/Is “In” and “Out” of
the Recent Feminist Exhibitions
Maren Hassinger, Maryland Institute College of Art, and
Rachel Rosenthal, independent artist
Recent feminist exhibitions, including WACK! Art and
the Feminist Revolution, received considerable press and
attention but did not include all of the women who played
significant roles in the decade of the 1970s. This panel will
consider what the situation and meaning is of not having
one’s work recognized in these exhibitions.
12:30–1:45 PM
Transnational Feminism
Yong Soon Min, University of California, Irvine, and Connie
Samaras, University of California, Irvine
Given the proliferation of difference—some that matter and much that is superfluous—that characterizes the contemporary globalized art field, our conversation will center on markers of difference in the intersections of class, race, age, sexuality, nationality, and media that signal notable shifts in our understanding of female subjectivity.
Moreover, we will consider how these shifting understandings are imbricated within issues of translation in the transnational cultural traffic.
2:00–3:15 PM
Artists Converse on Feminism
Maria Buszek, Kansas City Art Institute
How do artists consider the questions about feminism in their art? How do artists consider these questions in various media? How does the social situation of women today have on impact on their work? What is the status of the body, and of the body beautiful, in art? What political issues most engage feminist artists today? These are only a few of the points of discussion for this conversation among feminist artists working in different media and coming-of-age under different phases of feminist activism.
3:30–5:00 PM
Performances Galore
Chair: C. Jill O’Bryan, artist and independent scholar
With the recognition that scholarly feminist art commentary is best when grounded in artwork, these live performances precede an open discussion with the artists. This panel includes new performances by young and elder, famous and not-so-famous feminist performance artists, including Joanna Frueh, University of Arizona; Maureen Nappi, Long Island University; Martha Wilson, Franklin Furnace Archive; Michelle Winowiak, independent artist; and Jen Zakrzewski and Kristen Rhea van Liew, independent artists. Tanya Augsburg, San Francisco State University, is the discussant.
12:30–2:00 PM
Film Screening: The Painter Sam Francis
Museum of Contemporary Art, Los Angeles
Ahmanson Auditorium
250 South Grand Avenue
Los Angeles, CA
Produced and directed by Jeffrey Perkins, this feature length film portrait of the artist Sam Francis (1923–1994) portrays his entire life course and professional career. The film has been forty years in the making, showing the artist at work in his studios from 1969 to 1992. It also includes interviews with the artist, his family members, art historians, and fellow artists such as Ed Ruscha, James Turrell, Bruce Conner, and others. The film is an intimate portrait of an important artist at work, as well as an intimate personal view as told by the artist himself and those that knew him.
12:30–2:00 PM
Exhibition Tour: Norton Simon Museum
Ruth Weisberg: Guido Cagnacci and the Resonant Image
411 West Colorado Boulevard at Orange Grove Boulevard
Pasadena, CA
Guided tour by the artist of her exhibition. Ruth Weisberg’s new
series is inspired by Guido Cagnacci’s Martha Rebuking Mary
for Her Vanity (after 1660), one of the museum’s most important
Baroque paintings.
Directions: the city of Pasadena provides a shuttle bus to transport passengers through the Pasadena Playhouse district, the Lake Avenue shopping district, and Old Pasadena. A shuttle stop is located in front of the museum. Please visit www.cityofpasadena.net/artsbus for schedules. If traveling by car, parking is free.
7:00 PM
Wende Flicks: Film Screening and Reception at LACMA
5905 Wilshire Boulevard,
Bing Theater
Screening of The Tango Player, Germany, 1991
6:30–9:00 PM
Reception at the Getty Villa
17985 Pacific Coast Highway
Pacific Palisades, CA
SOLD OUT
Come visit the Getty Villa, reopened two years ago after the completion of a major renovation project. This reception will immediately follow the session “The Art and Archaeology of Ancient Greece, Rome, and Etruria,” chaired by Karol Wight, the J. Paul Getty Museum’s senior curator of antiquities. Limited availability. Advance registration required; tickets required for admission.
Transportation: Depart by bus from the Los Angeles
Convention Center, West Hall entrance, at 5:30 PM; bus
departs the Getty Villa at 9:00 PM for return to the conference hotels,
to arrive at approximately 10:00 PM.
6:30–9:30 PM
WCA Awards Ceremony
Wilshire Grand Hotel, Ballroom
930 Wilshire Boulevard
Los Angeles, CA
The Women’s Caucus on Art (WCA) will honor the five recipients of
its 2009 Lifetime Achievement Awards: Maren Hassenger,
Ester Hernandez, Joyce Kosloff, Margo Machida, and Ruth Weisberg.
Dinner 6:30–7:30 PM; ceremony 7:30–9:30 PM. For ticket information, check the WCA website.
Sunday, March 1
12:30–2:00 PM
Film Screening: The Painter Sam Francis
Museum of Contemporary Art, Los Angeles
Ahmanson Auditorium
250 South Grand Avenue
Los Angeles, CA
Produced and directed by Jeffrey Perkins, this feature length film portrait of the artist Sam Francis (1923–1994) portrays his entire life course and professional career. The film has been forty years in the making, showing the artist at work in his studios from 1969 to 1992. It also includes interviews with the artist, his family members, art historians, and fellow artists such as Ed Ruscha, James Turrell, Bruce Conner, and others. The film is an intimate portrait of an important artist at work, as well as an intimate personal view as told by the artist himself and those that knew him.
Tours
Sunday, March 1
8:00 AM–5:00 PM
Public Arts Works by Women
Jerri Allyn, Otis College of Art and Design; Meg Cranston, Otis
College of Art and Design; and Debra Padilla, Social and Public
Art Resource Center (SPARC)
Catch a Public Art Bus Tour with artists Jerri Allyn and Meg Cranston and SPARC director Debra Padilla as your tour guides. Public performances and community-based projects are included.
The bus tour will feature sculptural installations by May Sun and Sheila de Bretteville in Little Tokyo; the 7th and Hill Street Metro Rail stop codesigned by Kim Abeles; the Filipino Veterans War Memorial in Historic Filipinotown by Cheri Gaulke; 400 Youth—1 Wall by Judy Baca; among other locations. The tour will include lunch and viewing of a permanent wall installation by Alexis Smith at the J. Paul Getty Museum. Cranston will note sites of infamous performances along Sunset and Wilshire Boulevards and Avenue of the Stars; impromptu appearances by performance groups the Waitresses and LA Art Girls will occur en route. While traveling between sites, tour participants can also join a sing-along with the folk singer Phranc.
Price
Onsite: $25
Limited availability
Transportation: Depart by bus from the Westin Bonaventure Hotel, 404 S. Figueroa Street, at 8:00 AM; bus departs from Echo Park at 4:30 PM for the Westin Bonaventure Hotel, to arrive at approximately 5:30 PM.
Los Angeles Public Art Tour map by Irina Contreras and essay by the art historian Marlena Donahue will be available in LOUDmouth magazine, a publication of the Women’s Center at Cal State East LA for the CAA conference.
9:30 AM–5:00 PM
Tour: Art of Southern California
José Drudis-Biada Gallery at Mount St. Mary’s College (MSMC),
California State Univerity, Channel Islands Library (CSUCI),
and Getty Villa. Sponsored in part by CSUCI, José Drudis-Biada
Gallery at MSMC, Getty Villa Education, and Art Historians of
Southern California.
The tour starts at the José Drudis-Biada Gallery at MSMC with a breakfast reception for the exhibition Insight/Inside LA, curated by Jody Baral. The next stop will be California State University, Channel Islands (CSUCI) and a lunch reception for the exhibition Postmodern Calligraphies, curated by Irina D. Costache and held in the library designed by Sir Norman Foster and Associates. From there, the participants will travel via the scenic Pacific Coast Highway to the Getty Villa. The museum tours are organized by Ann Steinsapir, Villa education specialist. All participants will receive a CD catalogue of both exhibitions.
Price
Onsite: $25
Limited Availability
Transportation: Depart by bus from the Westin Bonaventure
Hotel, 404 S. Figueroa Street, at 9:30 AM; bus departs the Getty
Villa at 3:30 PM for the Westin Bonaventure Hotel, to arrive at
approximately 4:30 PM.
12:15–5:15 PM
Field Trip with the Los Angeles Urban Rangers: Malibu Public
Beaches Safari
CANCELLED
Join the Los Angeles Urban Rangers for a Malibu Public Beaches Safari, which will show you how to find, park, walk, picnic, and sunbathe on a Malibu beach legally and safely. The safari will visit two different beaches. Skills-enhancing activities include a public/private boundary hike, sign watching, a no-kill hunt for access ways, and a public easement potluck. Founded in 2004, the Los Angeles Urban Rangers is a collective of artists, architects, urban designers, and scholars that offers site-specific programming in and about Los Angeles and its everyday built environment.
1:00–4:00 PM
Open House and Reception
Westside University Galleries
Laband Art Gallery, Loyola Marymount University; and Ben
Maltz Gallery, Otis College of Art and Design,
Burns Fine Arts Center, 1 LMU Drive and 9045 Lincoln Boulevard,
Los Angeles
On view at the Laband Art Gallery: Gallery 32 and Its Circle: Los Angeles’ African American Art Community in the 1960s and 70s. On view at Ben Maltz Gallery: The Future Imaginary.
Buses have been cancelled. Free parking available at both locations for attendees with their own transportation.


