sessions

At the session "Studio Practice and Poststudio Production: Reconsidering the Roles of Artist and Curator" (February 12, 2010) at the College Art Association Annual Conference, the session chair Michelle White allowed an imposter to present himself as CAA member Mary Jane Jacob. The presentation was not authorized by either CAA or Prof. Jacob and did not represent her views. Neither the impersonation of individuals nor the misrepresentation of their views at a CAA forum is consistent with the ethical standards of CAA or the visual arts profession that we represent.

“Classicisms," "Mannerisms," and "Baroquisms": Sixteenth- and Seventeenth-Century Visual Culture in Europe and Other Cultural Centers. Part II
Saturday, February 13, 9:30 AM–12:00 PM
Grand EF, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Lynette M. F. Bosch, State University of New York, Geneseo; Larry Silver, University of Pennsylvania
Darkness at Dawn: Artemisia Gentileschi’s Aurora, ca. 1625-27
Susan E. Wegner, Bowdoin College
Lifting the Veil of the Body: Imaginining the Souls of Holy People in the Renaissance Literature on Art
Steven Stowell, Oxford University
"Si grande Apelle, e non minore Apollo": Bronzino's Ugolino Martelli and the Paragone of the Arts
Julia Alexandra Siemon, Columbia University
Cigoli’s Ecorche and the Reform of Disegno
Lisa Bourla, University of Pennsylvania
Association for Latin American Art
Between/Beyond Text-Image: Engaging Visual Culture in Mesoamerica and South America
Saturday, February 13, 9:30 AM–12:00 PM
Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago
Chairs: Catherine Burdick, University of Illinois,Chicago; Virginia Miller, University of Illinois, Chicago
Not an Alphabet: Semasiography in Ancient America
Margaret A. Jackson, University of California, Los Angeles
Tipquis and Tupus: Pinning Together Inca and Colonial Costume Tradition
Sarah Holian, Graduate Center, City University of New York
Seeing with Old Eyes: The Carved Lintels from Temple I, Tikal, Guatemala
Elizabeth Olton, University of New Mexico
The Shape of Mythic Time: Moteuczoma II's Temple Stone and the Apotheosis of Aztec Imperial History
William Barnes, University of St. Thomas
The Later Lives of Two Aztec Sacrificial Stones
Emily Umberger, Arizona State University
Studio Art Open Session
Painting
Saturday, February 13, 9:30 AM–12:00 PM
Grand A, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Michelle Ann Grabner, School of the Art Institute of Chicago
Ann Craven, Yale University
Anoka Faruqee, California Institute of the Arts
Peter Halley, Yale University
Rebecca Morris, Pasadena City College
Thomas Lawson, California Institute of the Arts
Judy Ledgerwood, Northwestern University
Sabina Ott, Columbia College Chicago
Scott Reeder, School of the Art Institute of Chicago
Molly Zuckerman Hartung, independent artist, Chicago
Susanna Coffey, independent artist, New York
Carrie Moyer, Rhode Island School of Design
Jon Pestoni, independent artist
More of the Same? Analyzing Repetition in Ancient Art
Saturday, February 13, 9:30 AM–12:00 PM
Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Ann C. Gunter, Northwestern University; Ann Steiner, Franklin and Marshall College
The Omnipresent Ruler: The Multiplication of the Royal Statue in Late-Third-Millennium Mesopotamia
Melissa Eppihimer, University of Pittsburgh
Repetition and Meaning in the Trojan Cycle: Helen and the Sacrificial Virgins in Greek Vase-Painting
Anthony F. Mangieri, Savannah College of Art and Design
Repetition, Reflection, and Intergenerational Storytelling on Attic Grave Stelai of the Fourth Century BCE
Elizabeth P. McGowan, Williams College
Repetition Breeds Polysemy: Copy Books and the Roman Viewer
Stephanie Pearson, University of California, Berkeley
In Time with the Seasons: Movement and Repetition on Roman Season Sarcophagi
Mont Allen, University of California, Berkeley
The Materiality of Early Modern Prints, Part II: Plates, States, and Collections
Saturday, February 13, 9:30 AM–12:00 PM
Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago
Chairs: Suzanne Karr Schmidt, Art Institute of Chicago; Lia Markey, Princeton University Art Museum
Prints and Precious Plates
Madeleine Viljoen, La Salle University Art Museum
Print, Interrupted: Tracing Rembrandt’s Etched Sketches
Amy Frederick, University of Louisville
From Copper to Satin: Engraved Portraits Printed on Silk in Seventeenth-Century France and Their Preservation
Audrey Adamczak, University of Paris-Sorbonne
Examining Physical Evidence for the Medici Print Collection
Alessandra Baroni, University of Siena
Improvising Art History: Three Eighteenth-Century Albums of Prints
Kristel Smentek, Massachusetts Institute of Technology
Ananda Coomaraswamy’s Legacy and Influence on Twentieth-Century Art, Part I
Saturday, February 13, 9:30 AM–12:00 PM
Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Lise Kjaer, City College, City University of New York; William Wroth, independent scholar, Santa Fe
A "New Order of Things": Ananda Coomaraswamy, the India Society, and the Networks Colonial Modernity in Britain, ca. 1910-14
Sarah V. Turner, University of York
Modernist Affinities
Allan Antliff, University of Victoria
Circles of Influence: Ananda Coomaraswamy and the Stieglitz Circle
Katherine Hoffman, St. Anselm College
Georgia O’Keeffe and Coomaraswamy’s "The Door in the Sky": Painting Passages beyond Western Horizons
Deborah Jenner, Ecole du Louvre
Ananda Coomaraswamy, Alice Boner, and the Symbolic Dimension of Indian Art
Johannes Beltz, Museum Rietberg
Discussant:Parul Dave Mukherji, Jawaharlal Nehru University
Autofictions, Avatars, and Alter Egos: Fabricating Artists, Part II
Saturday, February 13, 9:30 AM–12:00 PM
Buckingham, Bronze Level, West Tower, Hyatt Regency Chicago
Chair: Monica Kjellman-Chapin, Emporia State University
White Masculine Fin-de-Siecle Hysteria in Daniel Paul Schreber’s Memoirs and the Art of Matthew Barney
Dinah Holtzman, University of Rochester
Alter Ego as Consumer, Theorist, and Producer: Cultural Studies as Art Production
Cindy Smith, Independent artist and scholar, Brooklyn
Making History
Darryl Lauster, University of Texas at Arlington
Social Proxies and Real-World Avatars: Impersonation as a Mode of Capitalist Production
Antoinette LaFarge, University of California, Irvine
Discussant:Beauvais Lyons, University of Tennessee, Knoxville
An Audience of One: Assessing the Arts of Privacy
Saturday, February 13, 9:30 AM–12:00 PM
Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Anne Leonard, David and Alfred Smart Museum of Art, University of Chicago
In the Shadow of Biedermeier: Max Klinger and the Exposure of Privacy
Marsha Morton, Pratt Institute
Anna Mary Howitt and the Paradoxes of Privacy
Rachel Oberter, Haverford College
Harmony, Musicality, and Atmosphere in Edouard Vuillard’s Early Decorative Ensembles
Merel van Tilburg, Universite de Geneve
The Luxurious Demise of the Tortoise: A Decadent Art Experiment
Colin Nelson-Dusek, National Gallery of Art
Discussant:Peter Parshall, National Gallery of Art
Fifty Years after Berenson: His Legacy and Phenomenon
Saturday, February 13, 9:30 AM–12:00 PM
Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Thomas Martin, Bard High School Early College
Berenson and Lorenzo Lotto
Andrea J. Bayer, Metropolitan Museum of Art
Marketing Madonnas: The Berensons and the Promotion of Italian Renaissance Art in America
Tiffany Johnston, independent scholar
A New Quattrocento: Bernard Berenson and the Study of Islamic Art
Nadia Marx, Harvard University
Berenson, Vasari, Verona, and Venice
Diana Gisolfi, Pratt Institute
Berenson's Michelangelo
Carmen C. Bambach, Metropolitan Museum of Art
Sounding American Art: Patterns and Possibilities
Saturday, February 13, 9:30 AM–12:00 PM
Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Leo G. Mazow, Palmer Museum of Art, Pennsylvania State University; Asma Naeem, University of Maryland
Ear-y: Sound and Burying Ground Meditation in Early New England
Jason LaFountain, Harvard University
Going the Distance: Spatial Conceptualizations of Sound in Winslow Homer
Asma Naeem, University of Maryland
Arthur Dove and Sonic Translation
Rachael Ziady DeLue, Princeton University
Lorentz’s Soundscapes: Vision and Aurality in New Deal Documentary
Jason Weems, University of California, Riverside
Basquiat, Bebop, and Patterns of Improvisation
Jordana Moore Saggese, California College of the Arts
Art History Open Session
East Asian Art
Saturday, February 13, 9:30 AM–12:00 PM
Regency B, Gold Level, West Tower, Hyatt Regency Chicago
Chair: Amy McNair, University of Kansas
Politic Piety: Confucianism, Conservatism, and the Social Art of Wang Yiting
Walter Davis, University of Alberta
Metamorphosis of a Bird-and-Flower Painting: Bird and Peach Blossoms as a Memorial Portrait
Ai-lian Liu, University of Kansas
Navigating the Waters, Picturing the Landmarks: Both Banks of the Yodo River as Map
Pauline Ayumi Ota, DePauw University
Collected Images from the Dianshi Studio (Shanghai, 1885): Book, Artists, Audience
Roberta Wue, University of California, Irvine
The Elusive Crane: Metaphor and Memory in a Tombstone from Sixth-Century China
Lei Xue, College of William and Mary
Immortalizing an Empress in Ming China
Yu Ping Luk, St. Catherine's College, University of Oxford
The Age of Enlargement
Saturday, February 13, 9:30 AM–12:00 PM
Regency C, Gold Level, West Tower, Hyatt Regency Chicago
Chair: Leah Modigliani, Stony Brook University, State University of New York
From “Mr. Big of SoHo” to “The Man Who Bought Marfa”: Donald Judd and the Lateral Amplification of Sculpture
Wouter Davidts, VU University Amsterdam
Trash as Livelihood: The Chiffonnier(e) in Nineteenth-Century Paris
Amy Brandt, Graduate Center, City University of New York
The Politics of Hope: Contemporary American Indian Art
Dana Claxton, Simon Fraser University
The Value of Photography: Albert Renger-Patzsch’s "The World is Beautiful" and the Crisis of Photo-Inflation in the Weimar Republic
Pepper Stetler, University of Vermont
The Fatness of the Earth
Laurie Palmer, School of the Art Institute of Chicago
Comics in Art History, Part I
Saturday, February 13, 9:30 AM–12:00 PM
Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Andrei Molotiu, Indiana University, Bloomington; Patricia Mainardi, Graduate Center, City University of New York
Dick Racy and Nance: The Comic Collages of Jess
James Boaden, University of York
Kirby after Lichtenstein
Andrei Molotiu, Indiana University, Bloomington
Comic Conceptualism and Critical Comedians: Two Sides of a Wooden Nickel
John P. Hogan, independent artist, Los Angeles
Reading Seth through Appropriation Theory
Simon Grennan, University of the Arts London
Posthysterical: The Study of Comics Advances a Plurogenic View of Art History
Mark Staff Brandl, University of Zurich
CAA Museum Committee
African American Art
Saturday, February 13, 9:30 AM–12:00 PM
Grand B, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Kymberly N. Pinder, School of the Art Institute of Chicago
Surveillance of Whiteness: Another Look at Jules Lion and Joshua Johnston
Sara Mandel, Indiana University
Figures in the Landscape: Kerry James Marshall's Founding Fathers at SFMOMA
John Zarobell, San Francisco Museum of Modern Art
Lyle Ashton Harris's Toussaint L'Ouverture: Haiti as Masquerade
Lindsay Twa, Augustana College
Turning Signs: Black Feminist Theory through the Art of Barbara Jones-Hogu
Richard Allen May III, independent scholar, Rialto, California
Studio Art Open Session
Fashion, Art, and Architecture
Saturday, February 13, 9:30 AM–12:00 PM
Regency D, Gold Level, West Tower, Hyatt Regency Chicago
Chair: Arti Sandhu, Columbia College Chicago
Archigram: Tailoring the Future
Valerie Rangel, Dominican University and International Academy of Design and Technology
The Comme des Garcons Retail Revolution
Emily M. Orr, Yale University Art Gallery
Persuasive Textiles
Barbara Layne, Studio subTela
Sensing the Fashion Exhibition: Viktor and Rolf, A Case Study
Mara Gladstone, University of Rochester and J. Paul Getty Museum
Artist Residency Session
Be Our Guest: Finding Time and Space to Create
Saturday, February 13, 10:00 AM–11:30 AM
Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Virginia Taylor Derryberry, University of North Carolina, Asheville; Caitlin Strokosch, Alliance of Artists Communities
Caitlin Strokosch, Alliance of Artists Communities
Hunter O'Hanian, Anderson Ranch Arts Center and Massachusetts College of Art and Design
Brad Kik, Institute for Sustainable Living, Art, and Natural Design
Cecil McDonald, Prairie Center of the Arts
Sarah Workneh, Ox-Bow
Shannon Stratton, threewalls
CAA Services to Artists Committee
Meta-Mentors: Show Me the Money
Saturday, February 13, 12:00 PM–1:30 PM
Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Reni Gower, Virginia Commonwealth University; Melissa Potter, Columbia College Chicago
Tax and Accounting Needs for Artists
Julie Herwitt, CPA
Grant-Writing Tips
Melissa Potter, Columbia College Chicago
Grants for Individuals in the Arts, Chicago
Esther Grimm, 3Arts
The Art of Promotion
Mari Hulick, Cleveland Institute of Art
The Artist's Guide to Public Art
Lynn Basa, independent artist, Chicago
CAA Museum Committee
The Work of Art in the Age of Economic Meltdown
Saturday, February 13, 12:30 PM–2:00 PM
Grand B, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Jay A. Clarke, Sterling and Francine Clark Art Institute; Alan Wallach, College of William and Mary
Jay M. Fisher, Baltimore Museum of Art
Andrew McClellan, Tufts University
Karol Ann Lawson, Sweet Briar College
Midwest Art History Society
New Acquisitions in Midwestern Museums
Saturday, February 13, 12:30 PM–2:00 PM
Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Leesa Fanning, Nelson-Atkins Museum of Art
Jaume Plensa and Michele Oka Doner: Conquering Sites, Fulfilling Mission
Joseph Antenucci Becherer, Frederik Meijer Gardens and Sculpture Park and Aquinas College
Collecting Contemporary at the Art Institute of Chicago
Lisa Dorin, Art Institute of Chicago
Centering Art in the Liberal Arts: Constructing and Integrating a Relevant Art-History Collection
Catherine Carter Goebel, Augustana College
This Just In: Josiah McElheny, Chromatic Modernism (Yellow, Blue, Red)
Mary E. Murray, Munson-Williams-Proctor Arts Institute
Happy (Museum) Anniversary! An Opportunity for Gifting
Jan Schall, Nelson-Atkins Museum of Art
CAA International Committee
Exploring New Horizons: What Researching, Studying, and Working Abroad Can Bring to Us
Saturday, February 13, 12:30 PM–2:00 PM
Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Sue Gollifer, University of Brighton; Veerle Thielemans, Terra Foundation for American Art Europe
Georgina Cole, University of Sydney
DeWitt Godfrey, Colgate University
Jody Patterson, Institut National d'Histoire de l'Art, Paris
Vivian Rehberg, Parsons Paris School of Art and Design
Gwyan Rhabyt, California State University
Jennifer Milam, University of Sydney
Leonardo/International Society for the Arts, Sciences, and Technology
Migratory Structures: Scientific Imagery and Contemporary Art Practice
Saturday, February 13, 12:30 PM–2:00 PM
Regency A, Gold Level, West Tower, Hyatt Regency Chicago
Chair: Paul Hertz, independent artist and curator, Chicago
RE:presentation
Marlena Novak, Northwestern University
Jay Alan Yim, Northwestern University
Algorithmic Practices at the Intersection of Art and Science
Jean-Pierre Hebert, University of California, Santa Barbara
Better than Drugs: VR, Meditation, and Pain
Diane Gromala, Simon Fraser University
Visualization and the Art of Metaphoric Mapping
Jack Ox, University of New Mexico, Albuquerque
Discussant:Hannah Higgins, University of Illinois, Chicago
American Society for Eighteenth-Century Studies
Art Scandals and Scandalous Art in the Eighteenth Century
Saturday, February 13, 12:30 PM–2:00 PM
Regency C, Gold Level, West Tower, Hyatt Regency Chicago
Chairs: Mark Ledbury, Sterling and Francine Clark Art Institute; Angela Rosenthal, Dartmouth College
"Quoi! c’est moi la?" Wertmuller's Portrait of Marie-Antoinette and Her Children
Melissa Hyde, University of Florida
Spreading Scandal: The Defamation of Women Artists in Pre-Revolutionary France
Bernadette Fort, Northwestern University
Sex, Lies, and Caricature: Scandalizing Lafayette in the French Revolution
Laura Auricchio, Parsons the New School for Design
Southern Graphics Council
Printmaking and the Mundane
Saturday, February 13, 12:30 PM–2:00 PM
Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Janet Marcavage, Southern Graphics Council
Making Prints about Prints
Joseph A. Lupo, West Virginia University
Repetitive Nature/Transcending the Mundane
Tonia Bonnell, independent artist, Denver
Dark Woods, Light Woods, Dark Woods:
 Autism and the Archive of the Everyday
Leona Christie, 
University at Albany, State University of New York
Visual Culture Caucus
Food Aesthetics
Saturday, February 13, 12:30 PM–2:00 PM
Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Alison Pearlman, California State Polytechnic University
The Iconography of Kitchen Wallpaper
Gwendolyn Owens, McGill University and the Canadian Centre for Architecture
Outside the Plate: Food as Medium
Yael Raviv, New York University and Umami: Food and Art Festival
Bento Blogs: Women’s Expression in Japanese Food Culture
Klara B. Seddon, Institute of Cultural Research, New York
Mapping the Kitchen: Constraints and Opportunities in Food Design
Erin S. White, North Carolina State University
CAA Services to Artists Committee
Meta-Mentors: DIY
Saturday, February 13, 2:00 PM–3:30 PM
Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Melissa Potter, Columbia College Chicago; Reni Gower, Virginia Commonwealth University
Mess Hall: An Experimental Cultural Center
Dan Wang, Mess Hall
Industry of the Ordinary: Moving beyond the Quotidian
Adam Brooks, Industry of the Ordinary
JEMA: A Location Variable Museum
Sean Miller, John Erickson Museum of Art
Temporary Services: Noncompetitive Art Practices
Marc Fischer, Temporary Services
Bertran Projects
Britton Bertran, independent curator and writer, Chicago
(Mis)Remembering the Sixties
Saturday, February 13, 2:30 PM–5:00 PM
Regency B, Gold Level, West Tower, Hyatt Regency Chicago
Chairs: Jo Applin, University of York; Anna Lovatt, University of Nottingham
As a Glass Eye: Vija Celmins, Trompe l’Oeil, and Other Anomalies
Briony Fer, University College London
For an Uncool Sixties
Robert Slifkin, Reed College
The Paradox of Time: Nouveau Realisme and the "Archaeology of the Present"
Jill Carrick, Carleton University
Reremembering Documenta 5, 1972
David Platzker, Specific Object
Nostalgia and Memory: Kerry James Marshall’s "Mementos"
James Meyer, Emory University
Pictures That Pack a Punch: Violence in American Art, 1780-1917
Saturday, February 13, 2:30 PM–5:00 PM
Regency D, Gold Level, West Tower, Hyatt Regency Chicago
Chairs: Ross Barrett, University of North Carolina, Chapel Hill; Kevin R. Muller, Chabot College
The Space of Iconoclasm: New York, 1776
Wendy Bellion, University of Delaware
Managing Death in Antebellum Representations of the Hunt
Kenneth Haltman, University of Oklahoma
Wounded Trees: The Traumatic Landscape of Civil War Photography
Maura Lyons, Drake University
George Bellows and the Great War
Carol Troyen, Museum of Fine Arts, Boston
Females under Fire: Depictions of Women and Violence in Francis Picabia’s Violà elle and Other New York Work
Hannah Wong, University of Texas, Austin
The Political Landscapes of Capitals
Saturday, February 13, 2:30 PM–5:00 PM
Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Jessica Joyce Christie, East Carolina University; Jelena Bogdanovic, East Carolina University
The Relational Geopolitical Landscape of Constantinople, the Capital of the Byzantine Empire
Jelena Bogdanovic, East Carolina University
Benito Mussolini's "Third Rome": Between Tradition and Modernity
Michelangelo Sabatino, University of Houston
Landscape, Landmark, Object, Image: The Political Landscape of American-Occupied Manila
JoAnne Mancini, National University of Ireland Maynooth
Along the Chaophraya River: The Birth of Bangkok as a Modern Capital City
Melody Rod-ari, University of California, Los Angeles
Akhenaton's Amarna in New Kingdom Egypt: Relations of Landscape and Ideology
Jessica Christie, East Carolina University
Artist Citizen: Catalysts, Collectives, and Utopias
Saturday, February 13, 2:30 PM–5:00 PM
Grand B, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Joan M. Giroux, Columbia College Chicago; Amy M. Mooney, Columbia College Chicago
Transitory Utopian Potential: Spontaneous Models for Creative Critical Communities
Gillian Whiteley, Loughborough University
Cause Collective: Creating a Dynamic Conversation between Issues, Sites, and the Public Audience
Jessica Ingram, California College of the Arts
Ryan Alexiev, Cause Collective
Food as Art as Sustainability Activism: The Politics of Agriculture and Food Systems in Twenty-First-Century Art Practices
Liena Vayzman, independent artist and curator, Oakland
Recording Change: Youth Dialogues on Progressive Efforts in Chicago
Jim Duignan, DePaul University
Creative Fix: Looking to Artists for Change
Sheryl Oring, University of California, San Diego
Dressing the Part: Textiles as Propaganda in the Middle Ages, Part II
Saturday, February 13, 2:30 PM–5:00 PM
Buckingham, Bronze Level, West Tower, Hyatt Regency Chicago
Chairs: Margaret Goehring, New Mexico State University; Kate Dimitrova, Wells College
Liturgical Textiles as Papal Donations in Late Medieval Italy
Christiane Elster, University of Cologne
Stephan the Great as Patron and Propagandist: Post-Byzantine Liturgical Textiles as Sites for the Display of Byzantine Identity and Imperial Authority
Henry Schilb, independent scholar, Bloomington, Indiana
Textile Wealth in an Eleventh-Century Armenian Miniature: Dynastic Succession and Affluence in a Royal Portrait
Hazel Antaramian-Hofman, California State University, Fresno
"So lyvely in cullers and gilting”: Decorative Vestments on Medieval Episcopal Effigies
Catherine Walden, University of Virginia
Weaving Legitimacy: The Jouvenel des Ursins Family and Constructing Nobility in Fifteenth-Century France
Jennifer E. Naumann, Florida State University
Comics in Art History, Part II
Saturday, February 13, 2:30 PM–5:00 PM
Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Patricia Mainardi, Graduate Center, City University of New York; Andrei Molotiu, Indiana University, Bloomington
Speaking in Emanata: Navigating the Conceptual Gulf between Comics and Narrative Art
Robert S. Petersen, Eastern Illinois University
Comics in 3-D from the Medieval Islamic World
Marianna Shreve Simpson, independent scholar, Baltimore
From Popular Prints to Comics
Patricia Mainardi, Graduate Center, City University of New York
The Marriage of Anxiety and Humor in Winsor McCay's "Dream of the Rarebit Fiend"
Katherine Roeder, University of Delaware.
How to Look: Ad Reinhardt, "PM", and the "Art-Politics Syndrome"
Karen Leader, Florida Atlantic University
American Art from the Outside
Saturday, February 13, 2:30 PM–5:00 PM
Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Pamela Jean Meecham, Institute of Education, University of London; Julie Lynne Sheldon, Liverpool John Moores University
Of Contemporary Nomads and Their America: William Kentridge and Marlene Dumas
Elena Stylianou
Eliza Spalding’s Ladder to Heaven: A Medievalist’s Perspective on the Visual Culture of Early Nineteenth-Century American Missionaries
Anne McClanan, Portland State University
The American Register: Images of the Paris/American Art World in the Last Third of the Nineteenth Century
Madeleine Fidell Beaufort
Step Right Up! Freaks and the Performance of Difference in 1930s America and Beyond
Andrea Kann, Coe College
Holger Cahill’s Exhibitions of American Art at the Newark Museum, 1924-30
Jillian Russo, City University of New York
Max Imdahl: The Reception of Postwar American Art in Bochum
Timothy Grundy, University of Basel
Historicizing Globalization: Studying the Visual in the Age of Three Worlds
Saturday, February 13, 2:30 PM–5:00 PM
Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Erin Morton, University of New Brunswick; Kirsty Robertson, University of Western Ontario
Creativity, Left and Right
Imre Szeman, University of Alberta
The Art of War: Visualising Afghanistan within Canadian and Australian Conflict History
Susan Cahill, Queen's University
Remix: Indigenous Visual Culture in Narratives of the New North America
Sarah E. K. Smith, Queen's University
Images of a "Miraculous Metamorphosis": The Tanka Fishermen of Hong Kong
Emily Stokes-Rees, independent scholar, Brookline, Massachusetts
Looking to the Future: Antiquities and the Art Museum
Saturday, February 13, 2:30 PM–5:00 PM
Grand A, Gold Level, East Tower, Hyatt Regency Chicago
Chair: Jenifer Neils, Case Western Reserve University and Johns Hopkins University
Is the Market in Antiquities Evolving toward Greater Care? Changing Museum Standards and Their Legal Background
Patty Gerstenblith, DePaul Unviersity
"Due Diligence": Rationalizing Acquisition in the "Universal Museum"
Irene Winter, Harvard University
The Shape of Things to Come: Developing Collections of Antiquities and Archaeological Materials in the Twenty-First Century
Timothy Rub, Philadelphia Museum of Art
The Future for Antiquities at the J. Paul Getty Museum
Karol Wight, J. Paul Getty Museum
Acropolis in Motion: Reflections on the New Acropolis Museum in Athens and Its Predecessors
Christina Papadimitriou, Princeton University
Can Description Help Images Speak?
Saturday, February 13, 2:30 PM–5:00 PM
Regency C, Gold Level, West Tower, Hyatt Regency Chicago
Chairs: Glenn A. Peers, University of Texas at Austin; Laura Weigert, Rutgers University
The Inexpressible
Vernon Hyde Minor, University of Illinois, Urbana-Champaign
A Description of Description: Looking at Images in Hysminias and Hysmine
Paroma Chatterjee, University of North Carolina, Chapel Hill
The Limits of Words: Description and Art Criticism in the 1960s
Kerr Houston, Maryland Institute College of Art
Framing Painting: Some Instances of Visual/Verbal Relations in Sixteenth- and Seventeenth-Century Art and Theory
Paul Duro, University of Rochester
Discussant:Richard Shiff, University of Texas at Austin
Art and Sound in the Premodern Era
Saturday, February 13, 2:30 PM–5:00 PM
Regency A, Gold Level, West Tower, Hyatt Regency Chicago
Chairs: Diane J. Reilly, Indiana University, Bloomington; Sheri F. Shaneyfelt, Vanderbilt University
In choro sed non in tympano: Music-Making and Its Representations in the Premodern Church
Eric Rice, University of Connecticut
An Enduring Resonance: Sound in Chinese Painting
Theresa McNichol, Mercer County Community College
A Multisensorial Message of the Divine and the Personal: Qur'anic Inscriptions and Recitation in Sixteenth-Century Ottoman Mosques
Nina Ergin, Koc University
Discussant:Adam Herring, Southern Methodist University
Strangers in Paradise: Immigrant Artistic Communities in Modern Paris
Saturday, February 13, 2:30 PM–5:00 PM
Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Susan Waller, University of Missouri, St. Louis; Karen L. Carter, independent scholar, Dunkirk, New York
Negotiating Paris: The Role of American Art Clubs in Late-Nineteenth-Century France
Emily Burns, Washington University in St. Louis
Catalan Artists in Paris, 1890-1914
Laura Karp Lugo, Sorbonne University (Paris I) and the National Institute of Art History of France
A Transnational Bohemia in Paris: Integrating the Italian Artist, 1906-14
Zoe Marie Jones, Duke University
Discussant:Jay A. Clarke, Sterling and Francine Clark Art Institute
Visual Cultures of Contagion, Hygiene, and Convalescence, ca. 1870-1940
Saturday, February 13, 2:30 PM–5:00 PM
Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago
Chairs: Tania Anne Woloshyn, Richmond University; Anthea Callen, University of Nottingham
Friction and Contradiction in Edgar Degas’s "Le Pedicure"
Marni Kessler, University of Kansas
The Pasted Paper Devolution: Health and Degeneration, Hygiene, and Contamination in the Cubist Papier-Colles
Fae Brauer, University of East London and University of New South Wales
The Aura of the Asylum: The Photographs of the Holloway Sanatorium
Susan Sidlauskas, Rutgers University
Of Sweatshops and Sequins: Fashion Victims in Gilded Age New York
Alison Matthews David, Ryerson University
Make Your Health Points: FAP Posters and Public Health Education
Cory Pillen, University of Wisconsin, Madison