Nothing and Everything

Julia Morrisroe, University of Florida

Navigating the Gulf between Compulsion and Irony in Contemporary Painting

Brian Bishop, University of Alabama

Painting the Wasteland: The Environmental Critique in Contemporary Painting

Liz Ward, Trinity University

Paying My Dues: Defining or Defying Disciplinary Boundaries?

Matthew Reynolds, Center for the Arts in Society, Carnegie Mellon University

Researching the Visual Culture of Urban Africa: Shifts in Awareness and Disciplinary Analysis

Till Förster, Universität Basel

Beyond the Visual: Toward a Kinesthetic Art History

Nell Andrew, Northwestern University

A Study of the Cover Pages of a Calligraphy Journal -- A Visual Studies Approach

Sophia Suk Mun Law, Lingnan University, Hong Kong

Teaching the Wrong Madonna in the Desert Southwest: Valuing Contemporary Visual Culture in a Culturally Conservative Place

Stephanie L. Taylor, New Mexico State University

Beyond Spirituality: Sacramental and Liturgical Aesthetics in Contemporary Art

Daniel A. Siedell, University of Nebraska, Omaha

The Pursuit of Beauty vs. The Aesthetics of Worldmakers

Arthur Pontynen, University of Wisconsin, Oshkosh

A Secular Trinity? The Transformation of Christian Iconography in a Post-Christian Age

Michelle Lang, University of Nebraska, Kearney

Linda Montano and the Tensions of Monasticism

Karen Gonzalez Rice, Duke University

Visual Culture and the Sacred: Creative Acts of Resistance and Redemption in Art, Film, and New Media

Scott Parsons, Augustana College

Mediation: From Design History to Cultural History?

Grace Lees-Maffei, University of Hertfordshire

Political Histories of Design; or, the State in Design History

Bess Williamson, University of Delaware

Defining the Design Deficit in Bangladesh

Lisa Farooque, Purdue University

Surveying the Design History Survey

Sarah Lichtman, Parsons the New School for Design

Designing Graphic Design History

Teal Triggs, London College of Communication, University of the Arts, London

Computer Modeling, Architectural Studies and Electronic Publications: Reconstructions of the Mastaba of Knomhotep from Drawings and Surveys of the Metropolitan Museum of Art Egyptian Expedition

David Sherratt Johnson, Museum of Reconstructions

The Virtual Monastery: Digital Re-presentation of Archaeology, Architecture and Texts at Saint-Jean-des-Vignes, Soissons

Sheila Bonde, Brown University; Clark Maines, Wesleyan University

Auteur or Architectural Historian? Rendering the YMCA with Rhinoceros

Paula Rachel Lupkin, Washington University

Discussant: Judith Thorpe, University of Connecticut

Discussant: Bruce Myren, University of Connecticut

Discussant: Kelly Dennis, University of Connecticut

Same as It Ever Was: Rereading the New Topographics

Toby Jurovics, Smithsonian American Art Museum

The Cinematic Landscapes of Antonioni and Godard and Their Influence on the New Topographics Photographers

Larisa Dryansky, Université de Paris, I Pantheon-Sorbonne

The New Topographics and Minimalism

Greg Foster-Rice, Columbia College, Chicago

Real Estate Opportunities

Britt Salvesen, Center for Creative Photography, University of Arizona

New Topographics Now: Simulated Landscape and Degraded Utopia

Christopher Burnett, University of Toledo

Only This Now: Literature in the Studio

Abigail Donovan, University of Delaware

In Illustration, Where Is the Story and What Does It Say?

J. Anne Montgomery, independent artist, South Bend, Indiana

Diderot's Salons: Exhibitions without Pictures

Kristin O'Rourke, Dartmouth College

Commerce into Culture: Wenda Gu's Neon Calligraphy Series

David Cateforis, University of Kansas

Word Up: The Literal Art of Glen Ligon

Jody Cutler, University of Central Florida

Continuities in Clay: Teracotta Images from Calabar, Nigeria

Christopher Slogar, California State University, Fullerton

Groupe Bogolan Kasobane

Janet Goldner, independent scholar and artist, New York

Journey to Conversion: How the Paul and Ruth Tishman Collection of African Art became the Walt Disney/Tishman Collection at the National Museum of African Art, Smithsonian Institution

Deborah Stokes

The Reinstallation of the African Collection at the Neuberger Museum of Art: The Challenge of Transformation

Marie-Therese Brincard, Neuberger Museum of Art

Giving the Etruscans Their Due

Jocelyn Penny Small, Rutgers University, State University of New Jersey

The Murder of Clytemnestra on Etruscan Bronze Mirrors

Alexandra A. Carpino, Northern Arizona University

The Judgment of Paris in Etruria

J. Keith Doherty, Boston University

Mistress and Master: Political Iconography in Early Urban Italy

Anthony Tuck, University of Massachusetts

Etruscan Vogue: Borrowed Aesthetic or Italic Beauty?

Bridget K. Sandhoff, University of Missouri, St. Louis

Discussant: Jenifer Neils, University of California, Berkeley

Leveraging Great Minds in the Graphic Design Classroom

Meta Newhouse

Hindsight: The Moving Image and the Post-Photographic

John Aasp

Loop

Ayelet Zohar

The Literary Imperative in the Video Works of Steve Reinke and William E. Jones

Justin Lincoln, Virginia Commonwealth University

Monkey Theater: Put-ons and Propaganda

Craig J. Peariso, Columbia University

Re-directing the Green Arrows: Recycling Campaigns and Conservationist Narratives

Max Liboiron, New York University

Potemkin Village

Stéphanie Benzaquen, Zavod K6/4

Discussant: Michael Aurbach, Vanderbilt University

Discussant: Joe Seipel, Virginia Commonwealth University

Greg M. Thomas, University of Hong Kong

Colin Rhodes, University of Sydney

Sophie Levy, Musée d'Art Américain Giverny

Jochen Wierich, Cheekwood Botanical Garden and Museum of Art

Carlos Rovelo, Richland and Cedar Valley College

Fredrick M. Asher, University of Minnesota

Building Bridges between Artists and Educators

Mary Stewart, Florida State University

Figure/Ground: Difference as an Opportunity for Learning

John Howell White, Kutztown University

Arts Based Research and Visual Culture Inquiry: Critical Connections

B. Stephen Carpenter II, Texas A&M University

Rebalancing Art Pedagogy in Terms of Form + Theme + Context

Renee Sandell, George Mason University

Barbara Moore, Bound and Unbound

Andrew Perchuk, Getty Research Institute

Milan Houston, Museum of Modern Art, New York

The Elements: Experimental Philosophy in 18th-Century Performing and Visual Arts

Elizabeth Liebman

Novel Words for Art: An Exchange of Critical Language in the 18th Century

Barbara Anderman, Lebanon Valley College

Eros and Mythos in Late 18th-Century French Art

Dorothy Johnson, University of Iowa

The Tactility of Vision; or, Experiencing Painting and Sculpture in Scarpa’s Castelvecchio and Canoviano Galleries

Nathaniel Coleman, New Castle University

Trace and Artifice

Jill Moser, independent artist, New York

Threshold Connections: Dialectics of Cybernetic Dematerialization and the Physicality of Painting

Derek Brueckner, University of Manitoba

In Search of the Tactilists: A Survey of Contemporary Haptic Aesthetes

Jennifer Justice, independent scholar, Chicago

Touch Is Essential: The "magic of the real world" in the Work of Peter Zumthor

Phoebe Crisman, University of Virginia

Discussant: Scott Poole, Virginia Tech

Rereading the Sarpedon Krater

Jenifer Neils, University of California, Berkeley

Animal Love: The Iconography of Zoophilia in Greek Art

Annetta Alexandridis, Cornell University

Captives and Patrons: Persian Precedents for the Ethnic Personifications on the Sebasteion at Aphrodisias

Benjamin Rubin, University of Michigan, Ann Arbor

Intra hanc definitonem: Domitian and the Ara Incendii Neroniani on the Quirinal

Lea K. Cline, University of Texas, Austin

New Light on a Neglected Medium: Late Roman Wall Paintings and the Evidence of Diocletian's Imperial Cult Chapel

Susanna McFadden, University of Pennsylvania

Flavin Judd, Judd Foundation

Judd on Phenomena

Adrian Kohn, University of Texas, Austin

Donald Judd: Black as Space

Tim Martin, De Montfort University

Discussant: David Raskin, School of the Art Institute of Chicago

"A Picture, and therefore a Model": Facture and Frivolity in Painting After Richter

Christopher Bedford, Courtauld Institute, and Los Angeles County Museum of Art

A Few (Mainly First-Person) Observations on Various Failed Strategies (Some More Interesting than Others)

Kevin Zucker, Rhode Island School of Design

Just Do It? Painting and the Problem of Intention

Jonathan TD Neil

The Treachery of Images

Hilary Wilder, Virginia Commonwealth University

Air Pollution and Public Agency

Beatriz da Costa, University of California, Irvine

Real Costs and Oil Standard

Michael Mandiberg, College of Staten Island, City University of New York

Breathtaking: Climate Science in Art and Media

Andrea Polli, Hunter College, City University of New York

Eco-tech Strategies: Digestive Table and Other Works

Amy Youngs, Ohio State University

Discussant: Linda Weintraub, independent scholar

Charles and Ray Eames in India

Saloni Mathur, University of California, Los Angleles

Pang Xunqin: Assimilating the World and the Native in Modern Design

Xiaoqing Zhu, University of Maryland

In the Name of "Modernization": The Design of the Chairman Mao Memorial and the Rise and Fall of Hua Guofeng

Shuishan Yu, Oakland University

Asian Modernities and Olympic Games: The Cases of Japan and China

Jilly Traganou, Parsons the New School for Design

Discussant: Sarah Teasley, Northwestern University

Laura Richard Janku, independent writer

Paul Slocum, independent artist

Garnet Hertz, University of California, Irvine, and California Institute for Telecommunications and Information Technology

David Nunez, independent artist and scholar

Golan Levin, Carnegie Mellon University

Stuart Davis and Georgia O’Keeffe: Making Modernism in New Mexico

Emily Ballew Neff, Museum of Fine Arts, Houston

Wolfgang Paalen, European “Indianism,” and the New York School

Amy Winter, Godwin-Ternbach Museum, Queens College

Cultures at a Crossroads: Would the Hopi Call Them Surrealists or Realists?

Jessica Welton, Virginia Commonwealth University

Savage by Design: The American Indian Primitive in Western Photography

Aleta Ringlero, Arizona State University

Modernists and Head-Hunters: Edward S. Curtis’s Indians in Film and Photography

Shannon Egan, Gettysburg College

Discussant: Barbara McCloskey, University of Pittsburgh

Mix It Up

Samantha Krukowski, University of Texas, Austin

The Shaped Canvas in the 1930s: The Sculptural Paintings of Abraham Joel Tobias and Their Sources, Influences, and Expressive Techniques

Herbert R. Hartel, Brooklyn College, City University of New York

"The Loveliest Flesh Charred Beyond Recognition": Bruce Conner, Painting, and the Art of Assemblage

Kevin Hatch, Princeton University

Paintings like Pictures, Pictures like Paintings--Image, Object, Illusion, and Representation? The Paintings of Richard Heipp

Richard Heipp, University of Florida

Painting in the Expanded Field: Emergence of the Non-Painting-Centric Practice

Robert Bubp, Wichita State University

The Construction of Continuity: Edmond de Goncourt’s Japonisme

Pamela Warner, University of Rhode Island

Decadence: Japanese Painterly Responses to Japonisme, 1893-1910

Chelsea Foxwell, Columbia University

Marketing Cultural Fantasy: Japan’s Teahouse at the Louisiana Purchase Exposition

Hsuan Tsen, Stanford University

French Body Orientalized: Tsuguharu Foujita’s Reclining Nudes of the Early 1920s

Ikuyo Nakagawa, City University of New York

Kandinsky and the Utopian in Japanese Modernism

Alicia Volk, University of Maryland

Self-Portrait as a Bulletin Board; or, John F. Peto's Piecemeal Self

Meredith Paige Davis, Ramapo College of New Jersey

On Last-Chance Gulch: Cabinet Cards of African Americans and Asians by JP Ball in Helena, Montana, c. 1887-1900

Theresa Leininger-Miller, University of Cincinnati

Reinventing Portrait Photography: Zaida Ben-Yusuf and the Roots of Modernist Portraiture

Frank H. Goodyear, III, National Portrait Gallery, Smithsonian Institution

Precious Objects: Miniature Painting at the Turn of the Century

Carrie Rebora Barratt, Metropolitan Museum of Art

Figure and Ground: John Singer Sargent's Divided Social Body

Susan Sidlauskas, Rutgers, State University of New Jersey

Eve and Adam: Investigating the Prototypes’ Prototypes: Jan van Eyck, Hugo van der Goes, Albrecht Dürer

Carol J. Purtle, University of Memphis

The Influence of Technical Analyses on the Study of Jan van Eyck

Noëlle Streeton, University College, London

Open Sesame: On the Openings and Closings of Early Netherlandish Triptychs and Their Impact on Meaning

Lynn F. Jacobs, University of Arkansas

Reading Northern Narratives: Hans Memling’s Scenes from the Advent and Triumph of Christ

Sally W. Coleman, University of Texas, Austin

The Ideal Flemish City as a Living Panorama to Frame Early Netherlandish Art

Hans J. Van Miegroet, Duke University

The Time Warp of the Everyday: Surrealism and the Outmoded

Abigail Susik, Columbia University

In the Space of the City: Daniel Buren’s "Affichages Sauvages"

Jennifer Farrell, Yale University Art Gallery

Claes Oldenburg’s Theater of Vision: Experiencing Everydayness at "The Store" (1962)

Nadja Rottner, Columbia University

Common Sense: Class, Creativity, and the Everyday in the Work of Richard Billingham

Vanessa Corby, York St. John University

Drifters: Plastics, Pollutants, and Personhood

Pam Longobardi, Georgia State University

The 100-Mile Suit: Costume as an Exercise in Regionalism

Kelly Cobb, Maryland Institute College of Art

Michael Rakowitz and the Anti-Craft Tradition

Bibiana Obler, Johns Hopkins University

Making and Faking: Industrial Distillation of the Crafted Mark

Rod Northcutt, Rochester Institute of Technology

Doing Time: Women, Hand-Spinning, and Quiltmaking in Lancaster County, Pennsylvania, 1800-1880

Patricia Keller, McNeil Center, University of Pennsylvania

Un-Express; or, Delivering Slowness as Political Ploy

Kristine Woods, Maryland Institute College of Art

Un-Express; or, Delivering Slowness as Political Ploy

Christopher Whittey, Maryland Institute College of Art

A Houston-Based Artist

Lynn McCabe

The Display of Knowledge: Martha Rosler's Library

Catherine Caesar, University of Dallas

Kabakov and Koons: The Artist in the Collective

Marian Mazzone, College of Charleston

Collecting as a Vocation: The Aesthetic Project of Dominique and John de Menil

Pamela Smart, Binghamton University

Curating the Rachofsky Collection

Allan Schwartzman, Rachofsky Collection

The Polychromic Classroom

Anthony Fontana, Bowling Green State University

What Are Words For?

Juan Juarez, Syracuse University

What about Creativity?

David Kamm, Luther College

Changing the Sheets: Textbooks for New Learning Strategies

Ralph Larmann, University of Evansville

Marjorie Devon, Tamarind Institute, University of Mexico

Dan Rockhill, University of Kansas

Brent Skidmore, University of North Carolina, Asheville

Thoreau, Elbert Hubbard, and the American Arts and Crafts Movement

Jonathan Clancy, Graduate Center, City University of New York

Crafting a Civic Utopia in Newark, New Jersey: John Cotton Dana’s Newark Library and Museum

Ezra Shales, Alfred University

Can Craft, Utopia, and Modernism Coexist? Norman Bel Geddes’s "War Models" at the Museum of Modern Art

Nicolas P. Maffei, Norwich School of Art and Design

Authenticity and the Handmade at Paolo Soleri’s Arcosanti

Elissa Auther, University of Colorado, Colorado Springs

Discussant: Julia Bryan-Wilson, University of California, Irvine

Robert S. Duncanson as “Positively” American

Wendy Katz, University of Nebraska, Lincoln

Augustus Washington and the Origins of African Photography

Kevin Mulhearn, Graduate Center, City University of New York and University of South Carolina Upstate

Double-Consciousness in Three-D: Modernist and Global Perspectives in the Sculpture of Nancy Elizabeth Prophet

Amalia K. Amaki, University of Alabama

Marketing Haiti: Imperialism, Primitivism, and the Golden Age of Tourism

Lindsay J. Twa, Augustana College

The Work of Art in the Age of Hip Hop

Krista A. Thompson, Northwestern University

Antiwar Art--and Feminist?

Sue Malvern, University of Reading

Traces of Class and Gender in the Photographic Representation of Soldiers

Owen Mundy, University of California, San Diego

"Girls say yes to boys who say no": Contemporary Art during the War on Terror

Siona Wilson, College of Staten Island, City University of New York

The Wars at Home

Arnaud Gerspacher, Case Western Reserve University

Gendering the War on Terror: Transnational Perceptions and Misperceptions of Women in the Middle East

Sharon Parker, College for Women, Kuwait University

From Place to Place: Provenience, Provenance, and Archaeology

Rosemary A. Joyce, University of California, Berkeley

From Mariette to Joullain: Provenance and Value in French Auction Sales Catalogues (1741-83)

Sophie Raux, University of Lille

Provenance and Institutional Critique in the Works of Hans Haacke and Maria Eichhorn

Jeannine Tang, Courtauld Institute of Art

Provenance as Pedigree

Elizabeth Pergam, Dian Woodner Collection

On Rethinking Provenance as the Social Life of Art

Anne Higonnet, Barnard College

America's First Public Turner: the Metropolitan Museum of Art's Brief Turn with Turner's "Slave Ship" and Its Early Reception in Boston

Nancy J. Scott, Brandeis University

Reading Ruskin/Misreading Turner: Fitz H. Lane's Compromised Seascapes

Robert Slifkin, Yale University

The Language of Landscape: Reading Detail in JMW Turner and Frederic Church

Jennifer Raab, Yale University

Hveragardi, Iceland as a Collaborative Site

Jo Yarrington, Fairfield University; Marion Belanger

Performing the Photograph with Minor White

Mary Goodwin, University of Alaska, Fairbanks

Trappings

Tiffany Ludwig, independent artist and media consultant, Montclair; Renee Piechocki

I Wish to Say

Sheryl Oring, independent artist, Brooklyn

Electric Girls and the Invisible World

Laura Larsen, Ohio University

Experimental Wanderings in the Drawings of Robert Desnos

Mary Ann Caws, Graduate Center, City University of New York

Stopping Painting: Picasso, Automatism, and the Exquisite Corpse

Susan Laxton, Princeton University

Joan Miró's Automatic Drawing

Charles Palermo, College of William and Mary

Remedios Varo's Mexican Drawings

Rosa Berland, Museum of Modern Art, New York

A Figure in the Margins: "La Pomme d'Ebène," Surrealism and the Post-World War II Body

Ellen E. Adams, Miami University

Stimulating Desire, Negotiating the Market: Frans van Mieris's "Cloth Shop" in Context

Angela Ka-Yan Ho, University of Michigan, Ann Arbor

Marketing and Masculinity: Van Dyck among the Daughters of Lycomedes

Suzanne Walker, Tulane University

Pennies from Heaven: Men, Money, and Morality in Northern Renaissance Art

Diane Wolfthal, University of Arizona

Gendered Economies: Masculine Markets and Feminine Reproduction in Early Modern Art

James Bloom, Vanderbilt University

Cornelis Ketel, Fingerpainter: Procreation and Profit in Perspective c. 1600

H. Perry Chapman, University of Delaware

Replicating the Buddha: The Great Miracle of Śrāvastī, the Divyāvadāna and Ajanta’s Cave 26

Leela Aditi Wood, Detroit Institute of Arts

Recovering the Guru: Corporeal Presence and Architectural Embodiment in 10th-Century India

Tamara Sears, New York University

Making Heads or Tails of It: Figuring Out Realism in Early Mughal Painting

Yael Rice, University of Pennsylvania

The Eviscerated Body: Gender and Nationalism in Swadeshi Art

Niharika Dinkar, Boise State University

Mimetic Desire in Pushpamala’s Photographs

Ajay Sinha, Mount Holyoke College

The Spirit and the Psyche: 19th-Century Automatic Drawings

Rachel Oberter, University of North Carolina, Chapel Hill

Hysterical Manipulation: Hypnosis and Electrotherapy in Late 19th-Century Paris

Mary Hunter, McGill University

Kinaesthetic Sketching: Hermann Obrist's Occult Modernism

Zeynep Alexander, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Louis Eilshemius's Artistic/Mesmeric Practice

Catherine McNickle Chastain-Elliott, University of Tampa

Discussant: Nancy Locke, Pennsylvania State University

Great Expectations: Encounters between Pictures and People in the Museum of Modern Art's Collection

Sarah Ganz, Museum of Modern Art

Dialogical Encounters

Rika Burnham, Metropolitan Museum of Art

Intervention and Interpretation: Artists' Projects and Audience Reception in Contemporary Museums

Karen Moss, Orange County Museum of Art

Different Publics, Different Readings: Creating Personal History in the Chelsea Jeans Memorial

Susie Wise, Stanford University

Untitled

Jill Baird, Museum of Anthropology at the University of British Columbia

Discussant: Elizabeth Rodini, John Hopkins University

The Need for Neuroarthistory

John Onians, University of East Anglia

From a Neuroesthetics to a Neuroarthistory: Visual System Responses to Cultural Responses

James E. Cutting, Cornell University

Mirror Neurons and Mimetic Regimes

Thomas Habinek, University of Southern California

Understanding Motor Responses

David Freedberg, Columbia University

Toward a Cognitive Image History

Barbara Stafford, University of Chicago

Moving On, Moving Out: Future Scenarios for Design Education

Susan K. Roth, Virginia Commonwealth University

Anthropological Theory: Transdisciplinary Intersections in Ethical Design

Elizabeth Tunstall, University of Illinois, Chicago

Printed Books, Their Inherent Conventions, and Their Consequent Limiting Effects on Design Thinking and Practice

Rudi Meyer, Nova Scotia College of Art and Design

Theory and Practice in the Era of the Unsustainable: Looking Back to Look Forward

John Calvelli, Pacific Northwest College of Art

Dehomogenizing the Future of the Design Process One Subculture at a Time

Michael Gibson, University of North Texas

Photography vs. Visibility: Seeing Unseen Aspects of a City

Elisabeth Neudoerfl, Academy of Visual Arts Leipzig

Out-side: Dominique Gonzalez-Foerster's City Spaces

Stephen Monteiro, Université de Paris I, Panthéon-Sorbonne

Urban Archaeologies: Embodied Viewership in Recent Media Art

Robin Clark, St. Louis Art Museum

Reimagining the Urban

Nana Last, Rice University

Type A; or, How I Learned to Stop Worrying and Love My Dremel Tool

Chris Brady, Hinds Community College

War Birds: Large-Scale Print Collages

Dale Clifford, Savannah College of Art and Design

Satirical Large-Scale Prints: Outlaw Printmaking and Beyond

Tom Huck, Washington University, St. Louis

Make It Big: Don’t Make It Red, Make It Blue!

Barbara Madsen, Mason Gross School of the Arts, Rutgers University

Papercuts

Carlyle Wolfe, University of Mississippi

Lil Ole Lady, Living Large

Sheri Fleck Rieth, University of Mississippi

Drawings and the Colore/Disegno Debate in Renaissance Italy

Thomas McGrath, Suffolk University

The Cutting Edge: When the Artist Puts Down the Pencil and Takes Up the Knife

Ken Grant, Harry Ransom Humanities Research Center, University of Texas, Austin

Preserved on Paper: Artists' Drawing Albums in Antebellum America

Joy Peterson Heyrman, University of Maryland

Interventions: Framing Pedagogical Practices of Drawing in the Empire and the Colony

Amy Kantawala, Teachers College, Columbia University

Teaching Drawing in America

Jan Howard, Museum of Art, Rhode Island School of Design

Monogram as “Glocal” Icon: Rauschenberg and Contemporary Globalism

Hiroko Ikegami, Osaka University

Rauschenberg’s Index: Toward Mediation and Indeterminacy in the Art of the 1960s

Julia E. Robinson, Princeton University

Rauschenberg and the Embodied Image

Marie Shurkus, Pomona College

Refuting Hierarchy: Rauschenberg and Contemporary Korean Art

Hee-Young Kim, Hanyang University

Broken Narratives: From Rauschenberg to Neo Rauch

Roni Feinstein, independent scholar, Westport, Connecticut

Discussant: Jonathan D. Katz, Sterling and Francine Clark Art Institute

Save Our Slides! Part 1: Scholars’ Legacy Collections in Digital Archives

Kathleen Arthur, James Madison University

Save Our Slides! Part 2

Sara Nair James, Mary Baldwin College

Faculty Collections in the ARTstor Digital Library

Barbara Rockenbach, ARTstor

Sharing the Legacy: Modern Latin American Images

Jacqueline Barnitz, University of Texas, Austin

Discussant: Sigrid Knudsen, University of Texas, Austin

Defining the Diaspora: Appropriating Public Spaces in Salvador da Bahia, Brazil

Heather Shirey, University of St. Thomas

None So Blind as He Who Will Not See: Islam and Early American Visual Culture

Elizabeth Kuebler-Wolf, University of St. Francis

The Social Life of West African Photographers in New York City

Harriet J. Walker, City University of New York

Gold Coasts of the Mind: Chris Ofili

William Ian Bourland, University of Chicago

Ecoart Practice: Art Made in Response to Environmental Crisis

Patricia Watts, Sonoma County Museum of Art

Sustainability by Design

Heidrun Mumper-Drumm, Art Center College of Design

The Pedagogical Challenge of the Invisible Incremental

Linda Weintraub, independent scholar

Hazardous Traditions: A Short History of the Environmental Impact of Art Practice

Patricia Flores, California College of the Arts

Trial by Fire; or, The Implementation of Culture Change in the Art School and the Studio Setting

Duane Slick, Rhode Island School of Design

Personal and Environmental Sustainability: Self, Disaster, Revolution

Jae Rhim Lee, Massachusetts Institute of Technology

The Roy Lichtenstein Catalogue Raisonné and the Authentication of Editioned Sculpture

Yolande Trincere, Roy Lichtenstein Foundation

Surprises on the Catalogue Raisonné Trail: Frederick W. MacMonnies's Public and Private Sculpture Commissions

E. Adina Gordon, independent scholar, Englewood, New Jersey

Lawless Bronze: Forgeries in the Sculpture of Frederic Remington and Charles M. Russell

Rick Stewart, Amon Carter Museum

Nametagged Captives in Classic Maya Art: A Conflation of Text and Image

Catherine E. Burdick, University of Illinois, Chicago

Foreign Characters: Visualizing Identity in the 21st-Century Guatemalan Highlands

Rhonda Taube, University of California, San Diego

Negotiating Nationalism: Jean Charlot and Modern Mexican Art

Arden Decker, Graduate Center, City University of New York

Canova's Connoisseurship Games

Christina R. Ferando, Columbia University

Carolus-Duran’s "Portrait de M***": Portraying (and Performing) the Black-clad Parisienne

Justine Renee DeYoung, Northwestern University

Reading Tolstoy: Russian History and Pictorial Narratives of the “Patriotic War,” 1812-1912

Andrew M. Nedd, Savannah College of Art and Design

Learning to Look: Illustrated Surveys and Popular Art History in the 19th Century

Amy M. Von Lintel, University of Southern California

A Touch of Blossom

Alison Mairi Syme, University of Toronto

The Matrix Medieval Reborn: Frankenstein and "Quasimodo"--Architects of Revival and the Making of an Artist

Tina Waldeier Bizzarro, Rosemont College

"A Better Way to Read Great Books": Romantic Lithographs in Gaugain's "Scott Suite" of 1829

Beth S. Wright, University of Texas at Arlington

On the Order(s) of a Man of Letters— Vincent van Gogh’s “Studio of the South”

Kurt Rahmlow, University of Iowa

Keeping Printmaking Viable in the Era of Digital Media

Todd D. Anderson, Southern Illinois University, Edwardsville

The Art of the Future: The Future of Art

Shaurya Kumar, Bowling Green State University

Embedded Practices

Kevin Haas, Washington State University

State of the Art: A National Survey on the Impact of Digital Technology on Academic Printmaking

Sandra Murchison, Millsaps College

Margaret Meehan, University of Texas, Austin

John Byrd, University of South Florida

Ayumi Horie

Chris Gustin

Digital Aesthetics and the Collapse of Contemporary

Warren Sack, University of California, Santa Cruz

The Persistence of Grids

James Nesbit, Stanford University

The Personalized Surface within Fine-Art Digital Printmaking

Paul Coldwell, FADE (Fine Art Digital Environment), University of the Arts, London

Electronic Ritual and Ceremony

Joan Truckenbrod, School of the Art Institute of Chicago

(Web)Site-specific: Public Art on the World Wide Web

Annie Gérin, Université du Québec, Montréal

Homage to LMJ Delaissé: The Rouses in Context

Robert G. Calkins, Cornell University

What's in a Name? Jean Pucelle, Jean Le Noir, and Their Collaborators

Anna D. Russakoff, American University of Paris

Everybody Wants to Rule the World: The "Livre des merveilles" as Princely Propaganda

Andrea G. Kann, University of Iowa

The Illuminator-"Libraire" and the Book of Hours: The Case of the Boucicaut Workshop

Christine Geisler Andrews, Smith College

Discussant: Richard H. Rouse, University of California, Los Angeles

Imagining the Antique in Milanese Renaissance Sculpture

Charles R. Morscheck, Jr., Drexel University

Giuliano da Sangallo, the Crypta Balbi, and Reconstruction as Narrative

Cammy Brothers, University of Virginia

Piranesi’s Imperfect Ruins

Heather Hyde Minor, University of Illinois, Urbana-Champaign

“Speaking Ruins:” Piranesi and Desprez at Pompeii

John Pinto, Princeton University

Rodolfo Lanciani’s Romes

Susan M. Dixon, University of Tulsa

Searching for a Modern Opicinus in Louisiana: Psychoanalysis and Outsider Art

Deborah H. Cibelli, Nicholls State University

Orphans, Urchins, and Safe Bets: Canonicity and Outsider Art

Colin Rhodes, Sydney College of the Arts, University of Sydney

Canon Formation in a Field of Many Names

Charles Russell, Rutgers, State University of New Jersey, Newark

The Self-Taught Canon and the Modernist Eye

Jenifer P. Borum, American Folk Art Museum

The Ephemeral as Metaphor: Self-Taught and Mainstream

Alison Weld, independent artist and curator, New York

Gender in the New York Video Collectives: Women in the "Global Village"

Deanne Pytlinski, Metropolitan State College of Denver

Spray Paint, Vandalism, and Reclamation: Gordon Matta-Clark's Graffiti Truck and the Urban Ritual of Art-Making

Jeffrey Thompson, Western Michigan University

The Fox: A Critical Position in and on 1970s Art Discourse

Mary Keane Leclère, University of Virginia

Jo Baer, the Problem of Painting, and Modernism's Last Stand: New York, 1975

Patricia Kelly, DePaul University

Crosstown Traffic

Alan W. Moore, University of South Florida

The City as a Shirt: Visual Culture across Mediums in the Ancient Andes

Maya Stanfield-Mazzi, Tulane University

Performing Images: The Spanish Viceregal City and Public Spectacle

Ray Hernandez-Duran, University of New Mexico

Occupation: Cuba 1899

Stephanie Schwartz, Bryn Mawr College

Urban Form and the Modern Nation: Parque Mexico and Mexico City

Kathryn O'Rourke, University of Pennsylvania

Discussant: David Craven

Splendor and Misery of French Painting: Revisiting the School of Paris's Exclusion from the Canon

Catherine Dossin, University of Texas, Austin

How Screams Became "Pieces of Clear Ice": Looking for Wojnarowicz in González-Torres

Mysoon Rizk, University of Toledo

Silence around John Cage

Sandra Skurvida, Fashion Institute of Technology

The Resurrection of Julia Thecla (1896-1973): Canonization or Disease?

Joanna P. Gardner-Huggett, DePaul University

Jewish American Artists and the Formation of the American Art Canon

Samantha Baskind, Cleveland State University

Encaustic Painters of Ancient Times

Richard Frumess, R & F Handmade Paints

Contemporary Encaustic Painting

Joanne Mattera, Massachusetts College of Art and Montserrat College of Art

Reveal/Conceal

Kristy Deetz, University of Wisconsin, Green Bay

Mapping Topographies: Wax Surfaces and Digital Shimmer

Peter Dykhuis, Dalhousie Art Gallery

Material, Memory, and Meaning

Lorraine Glessner, Tyler School of Art

Heated Drawing

Cheryl Goldsleger, Georgia State University

Recent Work in Wax and Plaster

Heather Harvey, independent artist, Big Stone Gap, Virginia

Hammer, Tape, Torch, Mesh, and Wax: Approaches within an Encaustic Process

Jeffrey Hirst, independent artist, Minneapolis

Divas and Chefs Discussed

Timothy McDowell, Connecticut College

Takin’ It to the Street and Stickin’ It to the Man: Cultural and Political Resistance in Contemporary Sticker Art

Catherine Tedford, St. Lawrence University

Printed Skin

Jessica Meyer, Western Kentucky University

The Relational Print

Cedar Lorce Nordbye, University of Memphis

Reproduction on Reverse: The Paradoxical Production of Pygoya

Monica Kjellmann-Chapin, Emporia State University

Kartoon Kings: The Graphic Work of Simon Grennan and Christopher Sperandio

Christopher Sperandio, Carnegie Mellon University

Abstract Expressionism: Mind Over Materials?

David Anfam, Independent Scholar

Yves Klein's Painting Process

Corey D'Augustine, Museum of Modern Art

Knowledge Gained From A Technical Examination of the Dallas Museum of Art's Jackson Pollock and Arshile Gorky Paintings

Inge-Lise Eckmann, Independent Conservator

Technical Aspects of Barnett Newman's Paintings in the Menil Collection

Bradford Epley, Menil Collection

Discussant: Richard Shiff, University of Texas, Austin

The Apotheosis of Cute: The Sacred and Profane in the Work of Mark Ryden

Acacia Warwick, Winona State University

The Girl with a Child in Her Eyes: Cuteness as Hierarchy Solvent in Morrison, Manet, and Ayu

Joon Lee, Rhode Island School of Design

Not So Cute: Kawaii as Critique

Kirstin Ringelberg, Elon University

'It Always Floats': Cuteness as the Aesthetic Frame

Catherine Wilcox-Titus, Worcester State College

High? Medium? Low? Adjusting the Trajectory: Why Boston Brahmins Launched Three Distinctly Different Institutions for Teaching Adults How to Make Art

Paul Dobbs, Massachusetts College of Art

What Lies Beyond the Bauhaus? The Political “Logics” of College Art Pedagogy

John Baldacchino, Teachers College, Columbia University

Art School Pedagogy: Teaching and Learning in a Complex World

Monique Fouquet, Emily Carr Institute of Art and Design

Inside the Trenches: A Critical Evaluation of Redesigning Art and Design Education

Parme Giuntini, Otis College of Art and Design

Discussant: Timothy Emlyn Jones, Burren College of Art

Bauen: Expressionism and the Course of Modern Architecture

Kai Gutschow, Carnegie Mellon University

Screen Radio Orator: The Comintern Project of Gustavs Klucis

Maria Gough, Stanford University

The Room of the Present (1930-32). A Radical Failure in Alexander Dorner’s Attempts to Reinvent the Museum for the 20th Century

Ines Katenhusen, Leibniz University, Hanover

Made in America: Kurt Schwitters’s "Merzbau" at the Museum of Modern Art, New York

Rachel Churner, Columbia University

Discussant: Michael White, University of York

Arshile Gorky’s "Urban Cubism" Inside and Out

Ara Merjian, Stanford University

Flight from Reality? A Reconsideration of Gorky’s Abstract Aviation Murals

Jody Patterson, University College, London

Gorky's Storytelling: Performance and Painting

Dickran Tashjian, University of California, Irvine

“Le Déclic Analogique”: Arshile Gorky and André Breton

Isabelle Dervaux, Morgan Library and Museum

Mark Antliff, Duke University

S. Hollis Clayson, Northwestern University

Michael Leja, University of Pennsylvania

Cécile Whiting, University of California, Irvine

Robert L. Herbert, Mount Holyoke College

The Regions of the Zodiaque Series on Romanesque Art

Janet Marquardt, Eastern Illinois University

Water, Architecture, and Myth in Early Modern Venice

Daniel Savoy, Institute of Fine Arts, New York University

Convergence of Architecture and Geography: The Maps of an Architectural Historian

Tülay Atak, Southern California Institute of Architecture

Insularity: Images of Islandhood in Ireland

Yvonne Scott, Trinity College, University of Dublin

Jim Crow, Geography, and the Graphic Power of Design

Elizabeth Guffey, Purchase College, State University of New York

Now and Then: Adventures in Rephotography

Holly Markovitz, Boston University

Plowing the Geographical Field: Response and Summation

Diane Favro, University of California, Los Angeles

James Shulman, ARTstor

Mallarméan Cinepoetics: "Expanded Cinema" in Early and Late Vanguardism

Christophe Wall-Romana, University of Minnesota

Mallarmé in the Cage

Andrei Molotiu, University of Louisville

"Quant au Livre": Mallarmé, Authorship, and Artists' Books

Katie Brandon, University of Manchester

The Shadow of Mallarmé

Alastair R. Noble, Lafayette College

Badiou's Mallarmé and Picasso's Ontology

David Lewis, City University of New York

Baroque and Beyond: Rethinking the Aesthetics of Fascism in Visconti's "The Damned"

Jennie Hirsh, Maryland Institute College of Art

Modern Architecture after Fascism at the Quartiere Cesate

Jonathan Mekinda, University of Pennsylvania

"Musica novissima": Italy and the Arts 1945-58

Romy Golan, City University of New York

TV or not TV? Lucio Fontana’s “Luminous Images in Movement”

Anthony White, University of Melbourne

Arte Povera: Toward a Theory of Alchemical Ambivalence

Karen Pinkus, University of Southern California

Harmonious Letters and Musicians' Paintbrushes: Adriano Banchieri and Artistic Traditions in Bologna during the First Half of the 17th Century

Raffaella Morselli, Università di Teramo

Men and Women in the Moon: Artemisia Gentileschi, Galileo, Judith, and the Virgin Mary

Elena Ciletti, Hobart and William Smith Colleges

The Profession of Portrait Painter in 17th-Century Florence

Elena Fumagalli, Università di Modena e Reggio Emilia

Severed Torsos and Metaphorical Transformations: Christina of Sweden's Sala delle Muse and Sala di Clytie in the Palazzo Riario-Corsini

Lilian Zirpolo, "Aurora: The Journal of the History of Art"

Lo Spazio di uno sposalizio: the Iconography of Identity and the Proliferation of the Nuptial Allegory in Early Modern Venice

Esther Brummer, University of Cambridge

Bringing the Arts into the Mainstream: New Directions in Liberal Arts Education

Pamela Franks, Yale University Art Gallery

A Faculty Fellow at the RISD Museum

Andrew Raftery, Rhode Island School of Design

Faculty and Student Voices in the Museum

Susan J. Bender, Skidmore College

Transforming Facades: A Case Study of Engagement between Architecture and Art on Campus

Scott Murray, University of Illinois, Urbana-Champaign

Study Centers: Sites for Disciplinary and Interdisciplinary Learning and Collaboration

Celka Straughn, Harvard University Art Museums

Discussant: Alison Barnes, Skidmore College

From Gods to Sculptures: The Secularization of the Musée Guimet

Ting Chang, Carnegie Mellon University

A Museum Revolution: Radical Displays for the Soviet Masses

Masha Chlenova, Columbia University

The Silence of Pure Painting: Greenbergian Formalism and Habits of Installation in the Art Museum

Eik Kahng, Walters Art Museum

Mining Art Exhibitions: Discovering Layers of Me(aning) through Intertextual Narrative Exhibition

Elizabeth B. Reese, Texas A&M University

Precarious Museum, Permanent Masterpiece?

Sarah Lookofsky, University of California, San Diego