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SESSIONS
Studio Art Open Session: Painting
Nothing and Everything
Julia Morrisroe, University of Florida
Navigating the Gulf between Compulsion and Irony in Contemporary Painting
Brian Bishop, University of Alabama
Painting the Wasteland: The Environmental Critique in Contemporary Painting
Liz Ward, Trinity University
A Disciplined Muse: Distinguishing Art History, Visual Studies, and Visual Culture
Paying My Dues: Defining or Defying Disciplinary Boundaries?
Matthew Reynolds, Center for the Arts in Society, Carnegie Mellon University
Researching the Visual Culture of Urban Africa: Shifts in Awareness and Disciplinary Analysis
Till Förster, Universität Basel
Beyond the Visual: Toward a Kinesthetic Art History
Nell Andrew, Northwestern University
A Study of the Cover Pages of a Calligraphy Journal -- A Visual Studies Approach
Sophia Suk Mun Law, Lingnan University, Hong Kong
Teaching the Wrong Madonna in the Desert Southwest: Valuing Contemporary Visual Culture in a Culturally Conservative Place
Stephanie L. Taylor, New Mexico State University
Beyond Belief: Theo/Esthetics or Just Old-Time Religion?
Beyond Spirituality: Sacramental and Liturgical Aesthetics in Contemporary Art
Daniel A. Siedell, University of Nebraska, Omaha
The Pursuit of Beauty vs. The Aesthetics of Worldmakers
Arthur Pontynen, University of Wisconsin, Oshkosh
A Secular Trinity? The Transformation of Christian Iconography in a Post-Christian Age
Michelle Lang, University of Nebraska, Kearney
Linda Montano and the Tensions of Monasticism
Karen Gonzalez Rice, Duke University
Visual Culture and the Sacred: Creative Acts of Resistance and Redemption in Art, Film, and New Media
Scott Parsons, Augustana College
Design Studies Forum
The Current State of Design History
Mediation: From Design History to Cultural History?
Grace Lees-Maffei, University of Hertfordshire
Political Histories of Design; or, the State in Design History
Bess Williamson, University of Delaware
Defining the Design Deficit in Bangladesh
Lisa Farooque, Purdue University
Surveying the Design History Survey
Sarah Lichtman, Parsons the New School for Design
Designing Graphic Design History
Teal Triggs, London College of Communication, University of the Arts, London
Continuous Crossroads: Research and Pedagogy, Problems, and Opportunities with Digital Models, Archaeology and Art History
Computer Modeling, Architectural Studies and Electronic Publications: Reconstructions of the Mastaba of Knomhotep from Drawings and Surveys of the Metropolitan Museum of Art Egyptian Expedition
David Sherratt Johnson, Museum of Reconstructions
The Virtual Monastery: Digital Re-presentation of Archaeology, Architecture and Texts at Saint-Jean-des-Vignes, Soissons
Sheila Bonde, Brown University; Clark Maines, Wesleyan University
Auteur or Architectural Historian? Rendering the YMCA with Rhinoceros
Paula Rachel Lupkin, Washington University
ARTspace: Landscape: Fact and Fiction
Discussant: Judith Thorpe, University of Connecticut
Discussant: Bruce Myren, University of Connecticut
Discussant: Kelly Dennis, University of Connecticut
Reframing the New Topographics Movement
Same as It Ever Was: Rereading the New Topographics
Toby Jurovics, Smithsonian American Art Museum
The Cinematic Landscapes of Antonioni and Godard and Their Influence on the New Topographics Photographers
Larisa Dryansky, Université de Paris, I Pantheon-Sorbonne
The New Topographics and Minimalism
Greg Foster-Rice, Columbia College, Chicago
Real Estate Opportunities
Britt Salvesen, Center for Creative Photography, University of Arizona
New Topographics Now: Simulated Landscape and Degraded Utopia
Christopher Burnett, University of Toledo
Word and Image: Intersections of Art and Literature
Only This Now: Literature in the Studio
Abigail Donovan, University of Delaware
In Illustration, Where Is the Story and What Does It Say?
J. Anne Montgomery, independent artist, South Bend, Indiana
Diderot's Salons: Exhibitions without Pictures
Kristin O'Rourke, Dartmouth College
Commerce into Culture: Wenda Gu's Neon Calligraphy Series
David Cateforis, University of Kansas
Word Up: The Literal Art of Glen Ligon
Jody Cutler, University of Central Florida
Art History Open Session: African Art
Continuities in Clay: Teracotta Images from Calabar, Nigeria
Christopher Slogar, California State University, Fullerton
Groupe Bogolan Kasobane
Janet Goldner, independent scholar and artist, New York
Journey to Conversion: How the Paul and Ruth Tishman Collection of African Art became the Walt Disney/Tishman Collection at the National Museum of African Art, Smithsonian Institution
Deborah Stokes
The Reinstallation of the African Collection at the Neuberger Museum of Art: The Challenge of Transformation
Marie-Therese Brincard, Neuberger Museum of Art
Cultural Identity and Etruscan Art
Giving the Etruscans Their Due
Jocelyn Penny Small, Rutgers University, State University of New Jersey
The Murder of Clytemnestra on Etruscan Bronze Mirrors
Alexandra A. Carpino, Northern Arizona University
The Judgment of Paris in Etruria
J. Keith Doherty, Boston University
Mistress and Master: Political Iconography in Early Urban Italy
Anthony Tuck, University of Massachusetts
Etruscan Vogue: Borrowed Aesthetic or Italic Beauty?
Bridget K. Sandhoff, University of Missouri, St. Louis
Discussant: Jenifer Neils, University of California, Berkeley
Studio Art Open Session: Video Art
Leveraging Great Minds in the Graphic Design Classroom
Meta Newhouse
Hindsight: The Moving Image and the Post-Photographic
John Aasp
Loop
Ayelet Zohar
The Literary Imperative in the Video Works of Steve Reinke and William E. Jones
Justin Lincoln, Virginia Commonwealth University
Visual Culture Caucus
The Fresh New Look of Sheepherding
Monkey Theater: Put-ons and Propaganda
Craig J. Peariso, Columbia University
Re-directing the Green Arrows: Recycling Campaigns and Conservationist Narratives
Max Liboiron, New York University
Potemkin Village
Stéphanie Benzaquen, Zavod K6/4
ARTspace: Artists' Residencies/Worldwide Opportunities
Mid America College Art Association
Transforming Art and Design Schools: Physical Space and Programmatic Change
Discussant: Michael Aurbach, Vanderbilt University
Discussant: Joe Seipel, Virginia Commonwealth University
National Council on Education for the Ceramic Arts
Clay in the Age of Mechanical Reproduction
CAA International Committee
National and International Organizations of Art Historians and Artists: Aims, Interests, and Activities
Greg M. Thomas, University of Hong Kong
Colin Rhodes, University of Sydney
Sophie Levy, Musée d'Art Américain Giverny
Jochen Wierich, Cheekwood Botanical Garden and Museum of Art
Carlos Rovelo, Richland and Cedar Valley College
Fredrick M. Asher, University of Minnesota
National Art Education Association
Contemporary Perspectives on Art Teaching and Learning
Building Bridges between Artists and Educators
Mary Stewart, Florida State University
Figure/Ground: Difference as an Opportunity for Learning
John Howell White, Kutztown University
Arts Based Research and Visual Culture Inquiry: Critical Connections
B. Stephen Carpenter II, Texas A&M University
Rebalancing Art Pedagogy in Terms of Form + Theme + Context
Renee Sandell, George Mason University
Collecting the Avant Garde: The Institutional Perspective--Taming the Untame
Barbara Moore, Bound and Unbound
Andrew Perchuk, Getty Research Institute
Milan Houston, Museum of Modern Art, New York
American Society for 18th-Century Studies
Perspectives in 18th-Century Art
The Elements: Experimental Philosophy in 18th-Century Performing and Visual Arts
Elizabeth Liebman
Novel Words for Art: An Exchange of Critical Language in the 18th Century
Barbara Anderman, Lebanon Valley College
Eros and Mythos in Late 18th-Century French Art
Dorothy Johnson, University of Iowa
The Search for Vision's Body: The Role of Touch in the Practice of Painting and Architecture
The Tactility of Vision; or, Experiencing Painting and Sculpture in Scarpa’s Castelvecchio and Canoviano Galleries
Nathaniel Coleman, New Castle University
Trace and Artifice
Jill Moser, independent artist, New York
Threshold Connections: Dialectics of Cybernetic Dematerialization and the Physicality of Painting
Derek Brueckner, University of Manitoba
In Search of the Tactilists: A Survey of Contemporary Haptic Aesthetes
Jennifer Justice, independent scholar, Chicago
Touch Is Essential: The "magic of the real world" in the Work of Peter Zumthor
Phoebe Crisman, University of Virginia
Discussant: Scott Poole, Virginia Tech
Art History Open: Session Greek and Roman Art
Rereading the Sarpedon Krater
Jenifer Neils, University of California, Berkeley
Animal Love: The Iconography of Zoophilia in Greek Art
Annetta Alexandridis, Cornell University
Captives and Patrons: Persian Precedents for the Ethnic Personifications on the Sebasteion at Aphrodisias
Benjamin Rubin, University of Michigan, Ann Arbor
Intra hanc definitonem: Domitian and the Ara Incendii Neroniani on the Quirinal
Lea K. Cline, University of Texas, Austin
New Light on a Neglected Medium: Late Roman Wall Paintings and the Evidence of Diocletian's Imperial Cult Chapel
Susanna McFadden, University of Pennsylvania
Donald Judd
Flavin Judd, Judd Foundation
Judd on Phenomena
Adrian Kohn, University of Texas, Austin
Donald Judd: Black as Space
Tim Martin, De Montfort University
Discussant: David Raskin, School of the Art Institute of Chicago
Painting and Critique in the Age of the Market
"A Picture, and therefore a Model": Facture and Frivolity in Painting After Richter
Christopher Bedford, Courtauld Institute, and Los Angeles County Museum of Art
A Few (Mainly First-Person) Observations on Various Failed Strategies (Some More Interesting than Others)
Kevin Zucker, Rhode Island School of Design
Just Do It? Painting and the Problem of Intention
Jonathan TD Neil
The Treachery of Images
Hilary Wilder, Virginia Commonwealth University
Greenmedia Futures: Combining Art And Technology to Promote Sustainability
Air Pollution and Public Agency
Beatriz da Costa, University of California, Irvine
Real Costs and Oil Standard
Michael Mandiberg, College of Staten Island, City University of New York
Breathtaking: Climate Science in Art and Media
Andrea Polli, Hunter College, City University of New York
Eco-tech Strategies: Digestive Table and Other Works
Amy Youngs, Ohio State University
Discussant: Linda Weintraub, independent scholar
Beyond the West: Asian Modernism and Design
Charles and Ray Eames in India
Saloni Mathur, University of California, Los Angleles
Pang Xunqin: Assimilating the World and the Native in Modern Design
Xiaoqing Zhu, University of Maryland
In the Name of "Modernization": The Design of the Chairman Mao Memorial and the Rise and Fall of Hua Guofeng
Shuishan Yu, Oakland University
Asian Modernities and Olympic Games: The Cases of Japan and China
Jilly Traganou, Parsons the New School for Design
Discussant: Sarah Teasley, Northwestern University
Electronic and Emergent Media Art and Their Relationship to Culture, Society, Identity, and Politics
Laura Richard Janku, independent writer
Paul Slocum, independent artist
Garnet Hertz, University of California, Irvine, and California Institute for Telecommunications and Information Technology
David Nunez, independent artist and scholar
Golan Levin, Carnegie Mellon University
Modernist Primitivism Revisited: North American Prehistories
Stuart Davis and Georgia O’Keeffe: Making Modernism in New Mexico
Emily Ballew Neff, Museum of Fine Arts, Houston
Wolfgang Paalen, European “Indianism,” and the New York School
Amy Winter, Godwin-Ternbach Museum, Queens College
Cultures at a Crossroads: Would the Hopi Call Them Surrealists or Realists?
Jessica Welton, Virginia Commonwealth University
Savage by Design: The American Indian Primitive in Western Photography
Aleta Ringlero, Arizona State University
Modernists and Head-Hunters: Edward S. Curtis’s Indians in Film and Photography
Shannon Egan, Gettysburg College
Discussant: Barbara McCloskey, University of Pittsburgh
Painting as Mixed Media? Questions of Language, Materials, Illusion, and Unconventional Surface
Mix It Up
Samantha Krukowski, University of Texas, Austin
The Shaped Canvas in the 1930s: The Sculptural Paintings of Abraham Joel Tobias and Their Sources, Influences, and Expressive Techniques
Herbert R. Hartel, Brooklyn College, City University of New York
"The Loveliest Flesh Charred Beyond Recognition": Bruce Conner, Painting, and the Art of Assemblage
Kevin Hatch, Princeton University
Paintings like Pictures, Pictures like Paintings--Image, Object, Illusion, and Representation? The Paintings of Richard Heipp
Richard Heipp, University of Florida
Painting in the Expanded Field: Emergence of the Non-Painting-Centric Practice
Robert Bubp, Wichita State University
Japonisme/Occidentalism
The Construction of Continuity: Edmond de Goncourt’s Japonisme
Pamela Warner, University of Rhode Island
Decadence: Japanese Painterly Responses to Japonisme, 1893-1910
Chelsea Foxwell, Columbia University
Marketing Cultural Fantasy: Japan’s Teahouse at the Louisiana Purchase Exposition
Hsuan Tsen, Stanford University
French Body Orientalized: Tsuguharu Foujita’s Reclining Nudes of the Early 1920s
Ikuyo Nakagawa, City University of New York
Kandinsky and the Utopian in Japanese Modernism
Alicia Volk, University of Maryland
Gilded-Age Portraiture: Another Look
Self-Portrait as a Bulletin Board; or, John F. Peto's Piecemeal Self
Meredith Paige Davis, Ramapo College of New Jersey
On Last-Chance Gulch: Cabinet Cards of African Americans and Asians by JP Ball in Helena, Montana, c. 1887-1900
Theresa Leininger-Miller, University of Cincinnati
Reinventing Portrait Photography: Zaida Ben-Yusuf and the Roots of Modernist Portraiture
Frank H. Goodyear, III, National Portrait Gallery, Smithsonian Institution
Precious Objects: Miniature Painting at the Turn of the Century
Carrie Rebora Barratt, Metropolitan Museum of Art
Figure and Ground: John Singer Sargent's Divided Social Body
Susan Sidlauskas, Rutgers, State University of New Jersey
Art History Open Session: Northern Renaissance Art
Eve and Adam: Investigating the Prototypes’ Prototypes: Jan van Eyck, Hugo van der Goes, Albrecht Dürer
Carol J. Purtle, University of Memphis
The Influence of Technical Analyses on the Study of Jan van Eyck
Noëlle Streeton, University College, London
Open Sesame: On the Openings and Closings of Early Netherlandish Triptychs and Their Impact on Meaning
Lynn F. Jacobs, University of Arkansas
Reading Northern Narratives: Hans Memling’s Scenes from the Advent and Triumph of Christ
Sally W. Coleman, University of Texas, Austin
The Ideal Flemish City as a Living Panorama to Frame Early Netherlandish Art
Hans J. Van Miegroet, Duke University
Contesting Everydayness: Situations of Art and the Quotidian
The Time Warp of the Everyday: Surrealism and the Outmoded
Abigail Susik, Columbia University
In the Space of the City: Daniel Buren’s "Affichages Sauvages"
Jennifer Farrell, Yale University Art Gallery
Claes Oldenburg’s Theater of Vision: Experiencing Everydayness at "The Store" (1962)
Nadja Rottner, Columbia University
Common Sense: Class, Creativity, and the Everyday in the Work of Richard Billingham
Vanessa Corby, York St. John University
Drifters: Plastics, Pollutants, and Personhood
Pam Longobardi, Georgia State University
ARTspace: Gestures of Resistance: Craft, Performance, and the Politics of Slowness
The 100-Mile Suit: Costume as an Exercise in Regionalism
Kelly Cobb, Maryland Institute College of Art
Michael Rakowitz and the Anti-Craft Tradition
Bibiana Obler, Johns Hopkins University
Making and Faking: Industrial Distillation of the Crafted Mark
Rod Northcutt, Rochester Institute of Technology
Doing Time: Women, Hand-Spinning, and Quiltmaking in Lancaster County, Pennsylvania, 1800-1880
Patricia Keller, McNeil Center, University of Pennsylvania
Un-Express; or, Delivering Slowness as Political Ploy
Kristine Woods, Maryland Institute College of Art
Un-Express; or, Delivering Slowness as Political Ploy
Christopher Whittey, Maryland Institute College of Art
Collecting and Collectivity: Contemporary Art at the Interstices of Acquisition and Community
A Houston-Based Artist
Lynn McCabe
The Display of Knowledge: Martha Rosler's Library
Catherine Caesar, University of Dallas
Kabakov and Koons: The Artist in the Collective
Marian Mazzone, College of Charleston
Collecting as a Vocation: The Aesthetic Project of Dominique and John de Menil
Pamela Smart, Binghamton University
Curating the Rachofsky Collection
Allan Schwartzman, Rachofsky Collection
Foundations in Art: Theory and Education
Teaching Gen M (the Millennium Generation)
The Polychromic Classroom
Anthony Fontana, Bowling Green State University
What Are Words For?
Juan Juarez, Syracuse University
What about Creativity?
David Kamm, Luther College
Changing the Sheets: Textbooks for New Learning Strategies
Ralph Larmann, University of Evansville
CAA Publications Committee
Censorship and Publishing in the Arts
Enabling Creativity and Preserving Processes: Partnerships between Academia, Artists and Communities
Marjorie Devon, Tamarind Institute, University of Mexico
Dan Rockhill, University of Kansas
Brent Skidmore, University of North Carolina, Asheville
Handmade Utopias
Thoreau, Elbert Hubbard, and the American Arts and Crafts Movement
Jonathan Clancy, Graduate Center, City University of New York
Crafting a Civic Utopia in Newark, New Jersey: John Cotton Dana’s Newark Library and Museum
Ezra Shales, Alfred University
Can Craft, Utopia, and Modernism Coexist? Norman Bel Geddes’s "War Models" at the Museum of Modern Art
Nicolas P. Maffei, Norwich School of Art and Design
Authenticity and the Handmade at Paolo Soleri’s Arcosanti
Elissa Auther, University of Colorado, Colorado Springs
Discussant: Julia Bryan-Wilson, University of California, Irvine
African American Art and Globalization: Critical Perspectives
Robert S. Duncanson as “Positively” American
Wendy Katz, University of Nebraska, Lincoln
Augustus Washington and the Origins of African Photography
Kevin Mulhearn, Graduate Center, City University of New York and University of South Carolina Upstate
Double-Consciousness in Three-D: Modernist and Global Perspectives in the Sculpture of Nancy Elizabeth Prophet
Amalia K. Amaki, University of Alabama
Marketing Haiti: Imperialism, Primitivism, and the Golden Age of Tourism
Lindsay J. Twa, Augustana College
The Work of Art in the Age of Hip Hop
Krista A. Thompson, Northwestern University
Radical Art Caucus
Power and the Gendered Imagery of Contemporary Global Politics
Antiwar Art--and Feminist?
Sue Malvern, University of Reading
Traces of Class and Gender in the Photographic Representation of Soldiers
Owen Mundy, University of California, San Diego
"Girls say yes to boys who say no": Contemporary Art during the War on Terror
Siona Wilson, College of Staten Island, City University of New York
The Wars at Home
Arnaud Gerspacher, Case Western Reserve University
Gendering the War on Terror: Transnational Perceptions and Misperceptions of Women in the Middle East
Sharon Parker, College for Women, Kuwait University
Provenance: The Transformative Power
From Place to Place: Provenience, Provenance, and Archaeology
Rosemary A. Joyce, University of California, Berkeley
From Mariette to Joullain: Provenance and Value in French Auction Sales Catalogues (1741-83)
Sophie Raux, University of Lille
Provenance and Institutional Critique in the Works of Hans Haacke and Maria Eichhorn
Jeannine Tang, Courtauld Institute of Art
Provenance as Pedigree
Elizabeth Pergam, Dian Woodner Collection
On Rethinking Provenance as the Social Life of Art
Anne Higonnet, Barnard College
Turner in America
America's First Public Turner: the Metropolitan Museum of Art's Brief Turn with Turner's "Slave Ship" and Its Early Reception in Boston
Nancy J. Scott, Brandeis University
Reading Ruskin/Misreading Turner: Fitz H. Lane's Compromised Seascapes
Robert Slifkin, Yale University
The Language of Landscape: Reading Detail in JMW Turner and Frederic Church
Jennifer Raab, Yale University
Photography after Photography
Hveragardi, Iceland as a Collaborative Site
Jo Yarrington, Fairfield University; Marion Belanger
Performing the Photograph with Minor White
Mary Goodwin, University of Alaska, Fairbanks
Trappings
Tiffany Ludwig, independent artist and media consultant, Montclair; Renee Piechocki
I Wish to Say
Sheryl Oring, independent artist, Brooklyn
Electric Girls and the Invisible World
Laura Larsen, Ohio University
Surrealist Drawing, 1915-50: Tracing the Subversive Line and the Wayward Mark
Experimental Wanderings in the Drawings of Robert Desnos
Mary Ann Caws, Graduate Center, City University of New York
Stopping Painting: Picasso, Automatism, and the Exquisite Corpse
Susan Laxton, Princeton University
Joan Miró's Automatic Drawing
Charles Palermo, College of William and Mary
Remedios Varo's Mexican Drawings
Rosa Berland, Museum of Modern Art, New York
A Figure in the Margins: "La Pomme d'Ebène," Surrealism and the Post-World War II Body
Ellen E. Adams, Miami University
Historians of Netherlandish Art
Gender and the Market in Netherlandish Art
Stimulating Desire, Negotiating the Market: Frans van Mieris's "Cloth Shop" in Context
Angela Ka-Yan Ho, University of Michigan, Ann Arbor
Marketing and Masculinity: Van Dyck among the Daughters of Lycomedes
Suzanne Walker, Tulane University
Pennies from Heaven: Men, Money, and Morality in Northern Renaissance Art
Diane Wolfthal, University of Arizona
Gendered Economies: Masculine Markets and Feminine Reproduction in Early Modern Art
James Bloom, Vanderbilt University
Cornelis Ketel, Fingerpainter: Procreation and Profit in Perspective c. 1600
H. Perry Chapman, University of Delaware
Art History Open Session: Corporeality and Figuration in South Asia
Replicating the Buddha: The Great Miracle of Śrāvastī, the Divyāvadāna and Ajanta’s Cave 26
Leela Aditi Wood, Detroit Institute of Arts
Recovering the Guru: Corporeal Presence and Architectural Embodiment in 10th-Century India
Tamara Sears, New York University
Making Heads or Tails of It: Figuring Out Realism in Early Mughal Painting
Yael Rice, University of Pennsylvania
The Eviscerated Body: Gender and Nationalism in Swadeshi Art
Niharika Dinkar, Boise State University
Mimetic Desire in Pushpamala’s Photographs
Ajay Sinha, Mount Holyoke College
The Self Within: Art between Mesmer and Freud
The Spirit and the Psyche: 19th-Century Automatic Drawings
Rachel Oberter, University of North Carolina, Chapel Hill
Hysterical Manipulation: Hypnosis and Electrotherapy in Late 19th-Century Paris
Mary Hunter, McGill University
Kinaesthetic Sketching: Hermann Obrist's Occult Modernism
Zeynep Alexander, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
Louis Eilshemius's Artistic/Mesmeric Practice
Catherine McNickle Chastain-Elliott, University of Tampa
Discussant: Nancy Locke, Pennsylvania State University
Museum Encounters between Objects and the Public
Great Expectations: Encounters between Pictures and People in the Museum of Modern Art's Collection
Sarah Ganz, Museum of Modern Art
Dialogical Encounters
Rika Burnham, Metropolitan Museum of Art
Intervention and Interpretation: Artists' Projects and Audience Reception in Contemporary Museums
Karen Moss, Orange County Museum of Art
Different Publics, Different Readings: Creating Personal History in the Chelsea Jeans Memorial
Susie Wise, Stanford University
Untitled
Jill Baird, Museum of Anthropology at the University of British Columbia
Discussant: Elizabeth Rodini, John Hopkins University
Neuroscience and the History of Art
The Need for Neuroarthistory
John Onians, University of East Anglia
From a Neuroesthetics to a Neuroarthistory: Visual System Responses to Cultural Responses
James E. Cutting, Cornell University
Mirror Neurons and Mimetic Regimes
Thomas Habinek, University of Southern California
Understanding Motor Responses
David Freedberg, Columbia University
Toward a Cognitive Image History
Barbara Stafford, University of Chicago
Contemporary Design Theory and Practice
Moving On, Moving Out: Future Scenarios for Design Education
Susan K. Roth, Virginia Commonwealth University
Anthropological Theory: Transdisciplinary Intersections in Ethical Design
Elizabeth Tunstall, University of Illinois, Chicago
Printed Books, Their Inherent Conventions, and Their Consequent Limiting Effects on Design Thinking and Practice
Rudi Meyer, Nova Scotia College of Art and Design
Theory and Practice in the Era of the Unsustainable: Looking Back to Look Forward
John Calvelli, Pacific Northwest College of Art
Dehomogenizing the Future of the Design Process One Subculture at a Time
Michael Gibson, University of North Texas
Urban Image Now: Photographic and Filmic Manifestations of a Subjective City Experience
Photography vs. Visibility: Seeing Unseen Aspects of a City
Elisabeth Neudoerfl, Academy of Visual Arts Leipzig
Out-side: Dominique Gonzalez-Foerster's City Spaces
Stephen Monteiro, Université de Paris I, Panthéon-Sorbonne
Urban Archaeologies: Embodied Viewership in Recent Media Art
Robin Clark, St. Louis Art Museum
Reimagining the Urban
Nana Last, Rice University
ARTspace: Immense Prints
Type A; or, How I Learned to Stop Worrying and Love My Dremel Tool
Chris Brady, Hinds Community College
War Birds: Large-Scale Print Collages
Dale Clifford, Savannah College of Art and Design
Satirical Large-Scale Prints: Outlaw Printmaking and Beyond
Tom Huck, Washington University, St. Louis
Make It Big: Don’t Make It Red, Make It Blue!
Barbara Madsen, Mason Gross School of the Arts, Rutgers University
Papercuts
Carlyle Wolfe, University of Mississippi
Lil Ole Lady, Living Large
Sheri Fleck Rieth, University of Mississippi
CAA Advocacy Session: Cultural Patrimony in Iraq
Drawing Concern: Issues in the Practice and Reception of a Neglected Art
Drawings and the Colore/Disegno Debate in Renaissance Italy
Thomas McGrath, Suffolk University
The Cutting Edge: When the Artist Puts Down the Pencil and Takes Up the Knife
Ken Grant, Harry Ransom Humanities Research Center, University of Texas, Austin
Preserved on Paper: Artists' Drawing Albums in Antebellum America
Joy Peterson Heyrman, University of Maryland
Interventions: Framing Pedagogical Practices of Drawing in the Empire and the Colony
Amy Kantawala, Teachers College, Columbia University
Teaching Drawing in America
Jan Howard, Museum of Art, Rhode Island School of Design
Rauschenberg and After
Monogram as “Glocal” Icon: Rauschenberg and Contemporary Globalism
Hiroko Ikegami, Osaka University
Rauschenberg’s Index: Toward Mediation and Indeterminacy in the Art of the 1960s
Julia E. Robinson, Princeton University
Rauschenberg and the Embodied Image
Marie Shurkus, Pomona College
Refuting Hierarchy: Rauschenberg and Contemporary Korean Art
Hee-Young Kim, Hanyang University
Broken Narratives: From Rauschenberg to Neo Rauch
Roni Feinstein, independent scholar, Westport, Connecticut
Discussant: Jonathan D. Katz, Sterling and Francine Clark Art Institute
Visual Resources Association
The Visual Resources Curator and Art Historian Partnership: Legacy Images in University Databanks
Save Our Slides! Part 1: Scholars’ Legacy Collections in Digital Archives
Kathleen Arthur, James Madison University
Save Our Slides! Part 2
Sara Nair James, Mary Baldwin College
Faculty Collections in the ARTstor Digital Library
Barbara Rockenbach, ARTstor
Sharing the Legacy: Modern Latin American Images
Jacqueline Barnitz, University of Texas, Austin
Discussant: Sigrid Knudsen, University of Texas, Austin
Arts Council of the African Studies Association
(Re)Claiming Africa in the African Diaspora
Defining the Diaspora: Appropriating Public Spaces in Salvador da Bahia, Brazil
Heather Shirey, University of St. Thomas
None So Blind as He Who Will Not See: Islam and Early American Visual Culture
Elizabeth Kuebler-Wolf, University of St. Francis
The Social Life of West African Photographers in New York City
Harriet J. Walker, City University of New York
Gold Coasts of the Mind: Chris Ofili
William Ian Bourland, University of Chicago
CAA Education Committee
Teaching Art in a Troubled World: Eco-Practice as Pedagogy
Ecoart Practice: Art Made in Response to Environmental Crisis
Patricia Watts, Sonoma County Museum of Art
Sustainability by Design
Heidrun Mumper-Drumm, Art Center College of Design
The Pedagogical Challenge of the Invisible Incremental
Linda Weintraub, independent scholar
ARTspace: The Sustainable Studio
Hazardous Traditions: A Short History of the Environmental Impact of Art Practice
Patricia Flores, California College of the Arts
Trial by Fire; or, The Implementation of Culture Change in the Art School and the Studio Setting
Duane Slick, Rhode Island School of Design
Personal and Environmental Sustainability: Self, Disaster, Revolution
Jae Rhim Lee, Massachusetts Institute of Technology
Association of Historians of American Art
The Impermanent Collection
Catalogue Raisonné Scholars Association
Why Sculpture is Never Boring
The Roy Lichtenstein Catalogue Raisonné and the Authentication of Editioned Sculpture
Yolande Trincere, Roy Lichtenstein Foundation
Surprises on the Catalogue Raisonné Trail: Frederick W. MacMonnies's Public and Private Sculpture Commissions
E. Adina Gordon, independent scholar, Englewood, New Jersey
Lawless Bronze: Forgeries in the Sculpture of Frederic Remington and Charles M. Russell
Rick Stewart, Amon Carter Museum
Association for Latin American Art
Emerging Scholars Session
Nametagged Captives in Classic Maya Art: A Conflation of Text and Image
Catherine E. Burdick, University of Illinois, Chicago
Foreign Characters: Visualizing Identity in the 21st-Century Guatemalan Highlands
Rhonda Taube, University of California, San Diego
Negotiating Nationalism: Jean Charlot and Modern Mexican Art
Arden Decker, Graduate Center, City University of New York
Association of Historians of 19th-Century Art
New Directions in 19th-Century Art History
Canova's Connoisseurship Games
Christina R. Ferando, Columbia University
Carolus-Duran’s "Portrait de M***": Portraying (and Performing) the Black-clad Parisienne
Justine Renee DeYoung, Northwestern University
Reading Tolstoy: Russian History and Pictorial Narratives of the “Patriotic War,” 1812-1912
Andrew M. Nedd, Savannah College of Art and Design
Learning to Look: Illustrated Surveys and Popular Art History in the 19th Century
Amy M. Von Lintel, University of Southern California
A Touch of Blossom
Alison Mairi Syme, University of Toronto
Grant Opportunities for Art Historians and Art Museums
Association for Textual Scholarship in Art History
Bridging the Arts: The Juncture of Literature, Criticism, and Art in the 19th Century
The Matrix Medieval Reborn: Frankenstein and "Quasimodo"--Architects of Revival and the Making of an Artist
Tina Waldeier Bizzarro, Rosemont College
"A Better Way to Read Great Books": Romantic Lithographs in Gaugain's "Scott Suite" of 1829
Beth S. Wright, University of Texas at Arlington
On the Order(s) of a Man of Letters— Vincent van Gogh’s “Studio of the South”
Kurt Rahmlow, University of Iowa
Southern Graphics Council
Digital Printmaking: A Knight in Shining Armor, a Death Sentence, or Another Tool in the Toolbox for Traditional Printmaking?
Keeping Printmaking Viable in the Era of Digital Media
Todd D. Anderson, Southern Illinois University, Edwardsville
The Art of the Future: The Future of Art
Shaurya Kumar, Bowling Green State University
Embedded Practices
Kevin Haas, Washington State University
State of the Art: A National Survey on the Impact of Digital Technology on Academic Printmaking
Sandra Murchison, Millsaps College
Association of Art Museum Curators
What Makes a Collector a Philanthropist? Lessons from the Miracle in Dallas
Studio Art Open Session: Narrative in Contemporary Ceramics
Margaret Meehan, University of Texas, Austin
John Byrd, University of South Florida
Ayumi Horie
Chris Gustin
Toward a Digital Aesthetic
Digital Aesthetics and the Collapse of Contemporary
Warren Sack, University of California, Santa Cruz
The Persistence of Grids
James Nesbit, Stanford University
The Personalized Surface within Fine-Art Digital Printmaking
Paul Coldwell, FADE (Fine Art Digital Environment), University of the Arts, London
Electronic Ritual and Ceremony
Joan Truckenbrod, School of the Art Institute of Chicago
(Web)Site-specific: Public Art on the World Wide Web
Annie Gérin, Université du Québec, Montréal
International Center of Medieval Art
Current Perspectives on Manuscript Illumination in Late Medieval Paris
Homage to LMJ Delaissé: The Rouses in Context
Robert G. Calkins, Cornell University
What's in a Name? Jean Pucelle, Jean Le Noir, and Their Collaborators
Anna D. Russakoff, American University of Paris
Everybody Wants to Rule the World: The "Livre des merveilles" as Princely Propaganda
Andrea G. Kann, University of Iowa
The Illuminator-"Libraire" and the Book of Hours: The Case of the Boucicaut Workshop
Christine Geisler Andrews, Smith College
Discussant: Richard H. Rouse, University of California, Los Angeles
Imagining the Past: Reassessing Historical Reconstructions of the Antique
Imagining the Antique in Milanese Renaissance Sculpture
Charles R. Morscheck, Jr., Drexel University
Giuliano da Sangallo, the Crypta Balbi, and Reconstruction as Narrative
Cammy Brothers, University of Virginia
Piranesi’s Imperfect Ruins
Heather Hyde Minor, University of Illinois, Urbana-Champaign
“Speaking Ruins:” Piranesi and Desprez at Pompeii
John Pinto, Princeton University
Rodolfo Lanciani’s Romes
Susan M. Dixon, University of Tulsa
Art History Open Session: Self-Taught and Outsider Art Today
Searching for a Modern Opicinus in Louisiana: Psychoanalysis and Outsider Art
Deborah H. Cibelli, Nicholls State University
Orphans, Urchins, and Safe Bets: Canonicity and Outsider Art
Colin Rhodes, Sydney College of the Arts, University of Sydney
Canon Formation in a Field of Many Names
Charles Russell, Rutgers, State University of New Jersey, Newark
The Self-Taught Canon and the Modernist Eye
Jenifer P. Borum, American Folk Art Museum
The Ephemeral as Metaphor: Self-Taught and Mainstream
Alison Weld, independent artist and curator, New York
Those Were the Days: New York in the 1970s
Gender in the New York Video Collectives: Women in the "Global Village"
Deanne Pytlinski, Metropolitan State College of Denver
Spray Paint, Vandalism, and Reclamation: Gordon Matta-Clark's Graffiti Truck and the Urban Ritual of Art-Making
Jeffrey Thompson, Western Michigan University
The Fox: A Critical Position in and on 1970s Art Discourse
Mary Keane Leclère, University of Virginia
Jo Baer, the Problem of Painting, and Modernism's Last Stand: New York, 1975
Patricia Kelly, DePaul University
Crosstown Traffic
Alan W. Moore, University of South Florida
The Latin American City
The City as a Shirt: Visual Culture across Mediums in the Ancient Andes
Maya Stanfield-Mazzi, Tulane University
Performing Images: The Spanish Viceregal City and Public Spectacle
Ray Hernandez-Duran, University of New Mexico
Occupation: Cuba 1899
Stephanie Schwartz, Bryn Mawr College
Urban Form and the Modern Nation: Parque Mexico and Mexico City
Kathryn O'Rourke, University of Pennsylvania
Discussant: David Craven
Beatified but Not Canonized
Splendor and Misery of French Painting: Revisiting the School of Paris's Exclusion from the Canon
Catherine Dossin, University of Texas, Austin
How Screams Became "Pieces of Clear Ice": Looking for Wojnarowicz in González-Torres
Mysoon Rizk, University of Toledo
Silence around John Cage
Sandra Skurvida, Fashion Institute of Technology
The Resurrection of Julia Thecla (1896-1973): Canonization or Disease?
Joanna P. Gardner-Huggett, DePaul University
Jewish American Artists and the Formation of the American Art Canon
Samantha Baskind, Cleveland State University
ARTspace: The Divas and Iron Chefs of Encaustic
Encaustic Painters of Ancient Times
Richard Frumess, R & F Handmade Paints
Contemporary Encaustic Painting
Joanne Mattera, Massachusetts College of Art and Montserrat College of Art
Reveal/Conceal
Kristy Deetz, University of Wisconsin, Green Bay
Mapping Topographies: Wax Surfaces and Digital Shimmer
Peter Dykhuis, Dalhousie Art Gallery
Material, Memory, and Meaning
Lorraine Glessner, Tyler School of Art
Heated Drawing
Cheryl Goldsleger, Georgia State University
Recent Work in Wax and Plaster
Heather Harvey, independent artist, Big Stone Gap, Virginia
Hammer, Tape, Torch, Mesh, and Wax: Approaches within an Encaustic Process
Jeffrey Hirst, independent artist, Minneapolis
Divas and Chefs Discussed
Timothy McDowell, Connecticut College
The Vernacular Print in Contemporary Art
Takin’ It to the Street and Stickin’ It to the Man: Cultural and Political Resistance in Contemporary Sticker Art
Catherine Tedford, St. Lawrence University
Printed Skin
Jessica Meyer, Western Kentucky University
The Relational Print
Cedar Lorce Nordbye, University of Memphis
Reproduction on Reverse: The Paradoxical Production of Pygoya
Monica Kjellmann-Chapin, Emporia State University
Kartoon Kings: The Graphic Work of Simon Grennan and Christopher Sperandio
Christopher Sperandio, Carnegie Mellon University
American Institute for Conservation of Historic and Artistic Works
Abstract Expressionist Painting: Looking Closely
Abstract Expressionism: Mind Over Materials?
David Anfam, Independent Scholar
Yves Klein's Painting Process
Corey D'Augustine, Museum of Modern Art
Knowledge Gained From A Technical Examination of the Dallas Museum of Art's Jackson Pollock and Arshile Gorky Paintings
Inge-Lise Eckmann, Independent Conservator
Technical Aspects of Barnett Newman's Paintings in the Menil Collection
Bradford Epley, Menil Collection
Discussant: Richard Shiff, University of Texas, Austin
Cute
The Apotheosis of Cute: The Sacred and Profane in the Work of Mark Ryden
Acacia Warwick, Winona State University
The Girl with a Child in Her Eyes: Cuteness as Hierarchy Solvent in Morrison, Manet, and Ayu
Joon Lee, Rhode Island School of Design
Not So Cute: Kawaii as Critique
Kirstin Ringelberg, Elon University
'It Always Floats': Cuteness as the Aesthetic Frame
Catherine Wilcox-Titus, Worcester State College
What’s the Use? Critical Histories of Art and Design Colleges
High? Medium? Low? Adjusting the Trajectory: Why Boston Brahmins Launched Three Distinctly Different Institutions for Teaching Adults How to Make Art
Paul Dobbs, Massachusetts College of Art
What Lies Beyond the Bauhaus? The Political “Logics” of College Art Pedagogy
John Baldacchino, Teachers College, Columbia University
Art School Pedagogy: Teaching and Learning in a Complex World
Monique Fouquet, Emily Carr Institute of Art and Design
Inside the Trenches: A Critical Evaluation of Redesigning Art and Design Education
Parme Giuntini, Otis College of Art and Design
Discussant: Timothy Emlyn Jones, Burren College of Art
Radical Failures: Unrealized Exhibitions and Publications of the Early 20th-Century Avant Garde
Bauen: Expressionism and the Course of Modern Architecture
Kai Gutschow, Carnegie Mellon University
Screen Radio Orator: The Comintern Project of Gustavs Klucis
Maria Gough, Stanford University
The Room of the Present (1930-32). A Radical Failure in Alexander Dorner’s Attempts to Reinvent the Museum for the 20th Century
Ines Katenhusen, Leibniz University, Hanover
Made in America: Kurt Schwitters’s "Merzbau" at the Museum of Modern Art, New York
Rachel Churner, Columbia University
Discussant: Michael White, University of York
Rethinking Arshile Gorky
Arshile Gorky’s "Urban Cubism" Inside and Out
Ara Merjian, Stanford University
Flight from Reality? A Reconsideration of Gorky’s Abstract Aviation Murals
Jody Patterson, University College, London
Gorky's Storytelling: Performance and Painting
Dickran Tashjian, University of California, Irvine
“Le Déclic Analogique”: Arshile Gorky and André Breton
Isabelle Dervaux, Morgan Library and Museum
Distinguished Scholar Session Honoring Robert L. Herbert
Mark Antliff, Duke University
S. Hollis Clayson, Northwestern University
Michael Leja, University of Pennsylvania
Cécile Whiting, University of California, Irvine
Robert L. Herbert, Mount Holyoke College
Common Terrain: Surveying Geography in Histories of Art, Architecture, and Visual Culture
The Regions of the Zodiaque Series on Romanesque Art
Janet Marquardt, Eastern Illinois University
Water, Architecture, and Myth in Early Modern Venice
Daniel Savoy, Institute of Fine Arts, New York University
Convergence of Architecture and Geography: The Maps of an Architectural Historian
Tülay Atak, Southern California Institute of Architecture
Insularity: Images of Islandhood in Ireland
Yvonne Scott, Trinity College, University of Dublin
Jim Crow, Geography, and the Graphic Power of Design
Elizabeth Guffey, Purchase College, State University of New York
Now and Then: Adventures in Rephotography
Holly Markovitz, Boston University
Plowing the Geographical Field: Response and Summation
Diane Favro, University of California, Los Angeles
ARTstor User Group Meeting
James Shulman, ARTstor
Stéphane Mallarmé and 20th-Century Art, Theory, and Criticism
Mallarméan Cinepoetics: "Expanded Cinema" in Early and Late Vanguardism
Christophe Wall-Romana, University of Minnesota
Mallarmé in the Cage
Andrei Molotiu, University of Louisville
"Quant au Livre": Mallarmé, Authorship, and Artists' Books
Katie Brandon, University of Manchester
The Shadow of Mallarmé
Alastair R. Noble, Lafayette College
Badiou's Mallarmé and Picasso's Ontology
David Lewis, City University of New York
Italian Art after Fascism: 1945-75
Baroque and Beyond: Rethinking the Aesthetics of Fascism in Visconti's "The Damned"
Jennie Hirsh, Maryland Institute College of Art
Modern Architecture after Fascism at the Quartiere Cesate
Jonathan Mekinda, University of Pennsylvania
"Musica novissima": Italy and the Arts 1945-58
Romy Golan, City University of New York
TV or not TV? Lucio Fontana’s “Luminous Images in Movement”
Anthony White, University of Melbourne
Arte Povera: Toward a Theory of Alchemical Ambivalence
Karen Pinkus, University of Southern California
Art History Open Session: 17th- and 18th-Century European Art
Harmonious Letters and Musicians' Paintbrushes: Adriano Banchieri and Artistic Traditions in Bologna during the First Half of the 17th Century
Raffaella Morselli, Università di Teramo
Men and Women in the Moon: Artemisia Gentileschi, Galileo, Judith, and the Virgin Mary
Elena Ciletti, Hobart and William Smith Colleges
The Profession of Portrait Painter in 17th-Century Florence
Elena Fumagalli, Università di Modena e Reggio Emilia
Severed Torsos and Metaphorical Transformations: Christina of Sweden's Sala delle Muse and Sala di Clytie in the Palazzo Riario-Corsini
Lilian Zirpolo, "Aurora: The Journal of the History of Art"
Lo Spazio di uno sposalizio: the Iconography of Identity and the Proliferation of the Nuptial Allegory in Early Modern Venice
Esther Brummer, University of Cambridge
CAA Museum Committee
Curricular Connections: The College Art Museum as Site for Teaching and Learning
Bringing the Arts into the Mainstream: New Directions in Liberal Arts Education
Pamela Franks, Yale University Art Gallery
A Faculty Fellow at the RISD Museum
Andrew Raftery, Rhode Island School of Design
Faculty and Student Voices in the Museum
Susan J. Bender, Skidmore College
Transforming Facades: A Case Study of Engagement between Architecture and Art on Campus
Scott Murray, University of Illinois, Urbana-Champaign
Study Centers: Sites for Disciplinary and Interdisciplinary Learning and Collaboration
Celka Straughn, Harvard University Art Museums
Discussant: Alison Barnes, Skidmore College
Art History Open Session: Objects in Museums
From Gods to Sculptures: The Secularization of the Musée Guimet
Ting Chang, Carnegie Mellon University
A Museum Revolution: Radical Displays for the Soviet Masses
Masha Chlenova, Columbia University
The Silence of Pure Painting: Greenbergian Formalism and Habits of Installation in the Art Museum
Eik Kahng, Walters Art Museum
Mining Art Exhibitions: Discovering Layers of Me(aning) through Intertextual Narrative Exhibition
Elizabeth B. Reese, Texas A&M University
Precarious Museum, Permanent Masterpiece?
Sarah Lookofsky, University of California, San Diego
Art History Open Session: Pre-Columbian Art





